Book Review: Still Alice

Still Alice
Lisa Genova
Pocket Books 2009
www.StillAlice.com

I picked up Still Alice because it was my library's book club selection this month. I'd never heard of Lisa Genova, but by the time I finished the novel, I was glad to know she's working on another.

Alice is a 50 year old psychology professor at Harvard who has co-authored a text book with her husband, a research scientist, and has established an incredible reputation as not only a preferred teacher but also as a world-traveled speaker. As she celebrates her birthday, she is struggling with memory issues and even starting to get lost close to home in an area she's very familiar with. Going privately to a neurologist, she is diagnosed with early onset alzheimer's disease.

Since Alice is the POV character, you have to wonder how Genova will continue to follow her story as Alice lapses further into the disease. I was rather impressed with how well she managed to show the early struggles as well as the progression. All of the characters are well drawn from Alice's POV and we get to know some of them better than others. I found it interesting that the child she says she knows the least is the one we know the most. The other two are mainly background.

Her husband, John, is an interesting character and at times, I wanted to yell at him for being so self-centered, but then looking back at their history, I couldn't help but think Alice partly made him that way with her work obsession. The novel is a nice look at marriage-combined-with-work issues, as well as the dementia issue.

From the beginning, we bond with Alice. Anyone who has ever been so busy finding a set of keys seems an impossible task will relate. This makes us truly sympathetic of her plight and we pull for her to keep going, keep trying. As we do, we learn much about Alzheimers and how it progresses and how they are working to find ways to slow or stop it. There is also information about how to keep the brain healthy in general.

At times, the writing is a bit stiff, especially at the beginning, but Genova is a first time novelist and I believe she may find her stride with the next.
This is a must read for anyone dealing with dementia in a loved one, anyone with dementia in their family history, as well as for anyone who wants to better understand this disease. It is truly educational and heartwarming and sad and hopeful all at once.

Note: Genova self-pubbed Still Alice when she couldn't find a publisher for it. She went through iUniverse and also contacted the National Alzheimer's Association for a possible endorsement, got their agreement, won a couple of indie awards, and Pocket Books picked it up. She recommends other authors self-pub instead of letting their manuscripts languish.

This review is from a book I purchased and no compensation has been offered or received.

--

Boundaries and Edges and Romance

Today I’m on Maryann Miller’s blog talking about crossing boundaries with fiction genres and issues. Please come by and say hello:

http://its-not-all-gravy.blogspot.com/2009/11/pushing-boundaries-with-trauma-and.html

A Note: I realize there are some of you reading the tour posts who are unable to comment due to Blogger and WordPress restrictions. Thank you for coming by and reading! If you’d like, my website guestbook is completely open for comments so you can leave your thoughts there, or just say hello.

I read this quote today in the Nanowrimo forum, and thought it was too perfect not to share:

I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can’t see from the center.
~~ Kurt Vonnegut

I never would have thought myself an edge-seeker when I was young. I like familiar and comfortable to the point that every time I move, I’m thrown for a good six months or more. However, I’ve come to realize over the years, especially in the past few, that I am an edge-seeker, a boundary pusher. Never mind it makes me incredibly nervous to push boundaries; I continue to do so, anyway. At times, I’ve considered stepping back toward the middle, and do that at times in order to regroup, but before I know it, I’m right back there on the edge.

Why else would a twenty-one-year-old who had never been anywhere without her family suddenly jump up and move out of the country with a brand new soldier husband heading to Germany? One she met over the phone, by the way, and then drove with a friend eighteen hours to meet him. Yes, true story.

It wasn’t in my plans, that’s for sure. My plans were to finish my bachelor’s, move on to my master’s, get going in the psychology field, and THEN marry and think about having kids. Nice plan.

Yes well, the reality turned out to be nice, also. Scary – at many times, it has been very frightening, indeed – but nice. And what I’ve seen since jumping that edge could fill a book itself. Possibly some day it will.

Today, my husband and I have been married 22 years. Last year, I hit the point I was married half my life. This year, it’s his turn. That 21 and 22 year old couple who jumped with no more than love and determination and strength to face the unknown (let’s face it, every marriage is an unknown) walked through a lot of fires in the name of love and romance to get to that comfortably burning smolder that now and then bursts into huge flames. Now though, the flames are truly warm and comforting instead of just fiery.

This must be why I write the way I do, blending edgy mainstream issues into romance. I like the edge. And I’m a romantic at heart. Finally, I’m in my comfort zone and I would love to share it widely.

~~~
If you’re following my tour, here are the last of the dates:

Nov 23 – Sandy James: http://www.sandy-james.com/stable

Nov 25 – Lizzie Starr: http://starrwords.blogspot.com/

Nov 27 – CRR {Release Day!} http://classicromancerevival.com/blog/

Nov 29 – Steph Burkhart  http://sgcardin.blogspot.com/

Dec 1 – The Pen Muse http://www.thepenmuse.com

All dates will be permanently linked on the novel’s website:
http://www.lkhunsaker.com/OffTheMoon/main.htm
~~~

My next NEWSLETTER will be out Monday, November 23rd!  It will include details for my online RELEASE PARTY!  Subscribe on my website or here on the blog, linked to the right. Win a signed copy of Off The Moon, plus Vicki Blankenship’s newest CD, signed by Vicky, Blue Flame Trance!

--

Interview with a Musician: Vicki Blankenship

Vicki Blankenship is not only an Indie Singer/Songwriter, but she’s also president of IndieGrrl.com, a celebration of women in the independent arts. As a member of IndieGrrl, I’m glad to have Vicki here to talk with us about her music and her organization.

I’m also happy to announce that the lyrics of I’ve Waited For You, from her newest album, will be the music epilogue for Off The Moon, my fourth novel due out this month.

LK:  Hi Vicki! First, a public “thank you” for allowing use of your lyrics in my novel. It’s amazing when I was searching for indie songs that would fit with the story, just how well I’ve Waited For You fits. It’s nice to have you here chatting with us.

VB:  Thanks for using my song and promoting my music and lyrics.

LK:  First things first, how long have you been in the music business? When did you first pick up a guitar?

VB: I first started playing guitar and drums when I was 5 years old thanks to a grandfather and great grandfather who were both musicians. I’ve been in the music business off and on since college (1976 – 1981) but went full time in the music industry in 2003 with my first solo release “Don’t Forget To Breathe”.

LK:  It’s wonderful when young children get into the arts! Your music career echoes my writing career a bit – my first release was also in 2003. ;-)

So tell us a bit about your newest release, Blue Flame Trance.

VB:  My latest release Blue Flame Trance was originally slated to be called “Elements” because the songs selected for this project were different elements of my life and the songs were songs I had written from 19 years old to present. Many of my friends suggested that I consider using the name “Blue Flame Trance” as the title of the CD because they considered the song “Blue Flame Trance” an unforgettable song and the name would stand out more. The song itself is about Moonshine which is very prevalent in Franklin County Virginia the area where I grew up.

LK: Your music is reminiscent of 60s/70s folk rock, mixed with a touch of a country flair. At least that’s what I think of when I listen to it. Phoebe Snow comes to mind, but also Martina McBride; it’s both soulful and soothing. Who are your musical influences?

VB:  I grew up in the 60s/70s folk rock era so that is the music I know and love and the style in which I write. I loved bands like Allman Brothers, Marshall Tucker, Steve Miller, Eric Clapton, Stevie Ray Vaughn, Crosby Still Nash & Young, and Fleetwood Mac. I am a HUGE Lindsey Buckingham fan. Three other songwriters that I love are Mary Chapin Carpenter, James Taylor and Carol King.

LK:  Ah, some of my favorite artists there, also.  I have to tell you I grinned when I went through your website and read about Kiva, your rescued Dalmation. I have a rescued lab mix who is also such a joy, and Off The Moon features a rescued dog. Would you like to share a bit about your Dalmation rescue mission?

VB: Dalmatians were over bred when the 101 Dalmatians movie came out. And Dalmatians tend to be very active dogs that need a lot of attention. So a lot of them got abandoned when they grew older. I have helped place many Dalmatians in good homes that will work with them and show them the attention they need. Kiva is one that I kept myself. She is deaf and is one of the smartest dogs I have ever owned. She understands a doggie sign language that I made up and is very obedient. She knows no strangers and is friendly to everyone so she makes a good travel companion on the road.

LK:  Just for fun and since I ask everyone, what is your favorite color? Do you have a favorite artist or art style?

VB: My favorite color(s) is a toss between royal blue and purple. I love Vincent Van Gogh and my favorite painting is The Starry Night. I also like Georgia O’Keeffe and Klimt. I also paint; mostly oils and acrylic, and most of my paintings would be classified in the contemporary abstract style.

LK:  How did you come up with the idea of founding IndieGrrl? Will you tell us about it?

VB:  Actually Holly Figueroa founded Indiegrrl as a networking forum for female singer songwriters in 1998. I joined the network in 2003. Later I founded Indie Music For Life in 2004, a non profit to raise money for cancer research and other programs. I took over Indiegrrl in October 2005 and brought it in under the umbrella of Indie Music For Life. Now the non profit has completed revamped as of this year and in February we officially changed the name to Indiegrrl Women in the Arts, Inc so that we could include all aspects of the arts into the non profit and build on other things among networking. Indiegrrl Women in the Arts, Inc. works to create networking, educational, and showcasing opportunities for women of all ages involved in the arts. We also produce several festival events to help raise funds for various charities and are working to raise funds to build an Indiegrrl Music and Arts Camp for children between the ages of 7 and 17. Indiegrrl also produces an annual conference as an educational and showcasing opportunity and we are working on other educational forums, workshops, and seminars to help with entrepreneurial development in music and other aspects of the arts. If you believe in what Indiegrrl is trying to develop please go to our website and make a contribution. http://www.indiegrrl.com

LK:  I better wind this up so I don’t take too much of your time, but before I let you go, I’d love to hear what you’re working on now.

VB:  I am working on developing many Indiegrrl Women in the Arts programs and opportunities. Personally I am starting to promote my new CD “Blue Flame Trance” which you can find at http://www.spottedkivaproductions.com

LK:  Vicki, thank you again! Please leave any links you’d like us to know about.

VB:  http://www.indiegrrl.com and http://www.spottedkivaproductions.com are the main links. There are also Myspace links http://www.myspace.com/indiegrrlrecords and http://www.myspace.com/vickiblankenship and the facebook link http://www.facebook.com/vicki.blankenship

A note to readers: A signed copy of Vicki’s CD, Blue Flame Trance, will be included as part of the release party give-away for Off The Moon. Stay tuned here or sign up for my newsletter for more info.

~~~~~~~~~~~

My BLOG TOUR for Off The Moon, featuring Vicki’s lyrics, “I’ve Been Waiting For You” kicks off TODAY! 

Here’s the first link: http://judahraine.com/romancewriteup/?p=673

To follow the tour, find the schedule either at CRR Promotions:

http://www.classicromancerevival.com/blog/?p=1520

Or at Elucidate Publishing:
http://www.elucidatepublishing.net/events.html


Today is my Author Introduction. Leave a comment for a chance to win a so-far-unpublished prequel short story, signed and mailed!  On Tuesday, I’ll be talking about Artistic Vision And Creative Doubt, hosted by Jane Richardson, author of “A Different Kind of Honesty.”
-

Wolves and the Moon: Metaphorical Symbolism in Reality Fiction

Why do wolves howl at the moon?

Well, they don’t, of course. Not in reality. They howl while the moon is out and literature – yes, we writers – perpetuates the howling wolf at a full moon scenario so often they are forever intertwined. Why not? Myth and legend are powerful things. In a strange way, they help us rationalize our world when nothing else makes sense. And it can be a lot of fun.

I don’t write paranormal, but I couldn’t help jumping in on the paranormal event here [originally posted at Lindsay’s Romantics Oct 2009)  since I do draw on symbolism that comes from supernatural events to create metaphor in my next-to-come, Off The Moon.

The biggest superstition I pulled was that of the full moon relating to insanity. The book title is a hint at the heroine, Kaitlyn, who could be an actual case study for a psychologist (and may become that). It’s said that there are more “crazy” happenings and more suicides under a full moon. Statistics don’t verify that, but it’s so ingrained in our cultural myths by now that statistics hardly matter.

I hear you scientist type people out there groaning about now. But few will deny the power of the mind. Do strange things happen because of the full moon? Yes, I’m quite sure they do. Why? Because so many of us tell ourselves they do and thoughts are highly self-perpetuating. In other words, because we expect strange things to happen, we help cause them to happen or we relate it to the full moon when otherwise we wouldn’t.

I also used the wolf symbol as a metaphor. Wolves are strong animals, and familial. We all know the phrase, “wolves mate for life.” Wolves are also seen as lonely because of their mournful howl. In my novel, Ryan has a thing for wolves although he thinks of himself as rather an antithesis of a wolf. He’s independent but only to the point he has everyone else doing everything for him, pop star fashion, and he thinks his temporary companionships are all he wants in between his musical freedom. The wolf touches his soul, though, and he can’t deny its spirit within himself. Some authors have a hero turn into a werewolf to show his powerful animal nature. I have my anti-hero draw on his wolf spirit to turn into a hero.

Off The Moon is reality fiction highly steeped in symbols and metaphors often used in the paranormal world. The mating of the “crazy” heroine with the “wolf” anti-hero brings about sparks diffused by the calming symbolism of water.  

Happy Halloween!

~~~~~~~~~~~~~
About the Story:

"Riveting" Ryan Reynauld is immersed in a world of music, parties, and temporary companionship. Having risen to the top of the pop charts, his biggest concern is objecting to the way his music is produced. That is, until he finds a young woman standing on a window ledge. Against the advice of family and friends, and through media attacks and fan protests, Ryan determines to care for her himself, making a promise that threatens to destroy his career.

Convincing the skittish girl she can learn to trust again comes with a steep price. Sometimes the path to recovery begins by allowing your world to implode.

I’m Going On Tour!

CRR Promotions has done a wonderful job booking me on blogs all through November to talk about my books and to promote my newest, Off The Moon, release date November 27th!

Come follow me!  I’m giving away a new short story, unreleased, that goes with the novel as a bit of a prequel at each blog stop. A drawing will be held by each host. The story will be printed, signed, and mailed to each winner at the end of November. Also, anyone who follows me to at least 8 of the 15 stops is eligible for a drawing for a signed print copy of Off The Moon!

THANK YOU to the following blog tour hosts!  Content will be different each day, to include author and character interviews. (I’m missing two links below but they will be added well in advance of the dates.)

I’ll be here to post reminders of where I’ll be and the subject for each blog. If you’d like an easy way to keep up, subscribe to my blog with the form to the right. Your email will not be shared or used for any other purpose than notification of new posts here.

01-Nov	Judah Raine http://judahraine.com/romancewriteup/
03-Nov	Jane Richardson http://janerichardsonhomethoughts.blogspot.com/
05-Nov	Sue Perkins http://sueperkinsauthor.blogspot.com/
07-Nov	Linda Banche http://lindabanche.blogspot.com/
09-Nov	Sandra Kay http://www.sandrakayauthor.blogspot.com/
11-Nov	Liana Laverentz http://lianalaverentz.blogspot.com/
13-Nov	Nancy O'Berry http://obe-romancingtheblog.blogspot.com/
15-Nov	Sandra Sookoo http://www.sandrasookoo.wordpress.com/
17-Nov	Lainey Bancroft http://www.elaineforlife.com/LaineysBlog
19-Nov	Lindsay’s Romantics http://lindsaysromantics.blogspot.com
21-Nov	Maryann Miller
23-Nov	Sandy James http://www.sandy-james.com/stable
25-Nov	Lizzie Starr
27-Nov	CRR - Release Date http://www.classicromancerevival.com/blog/
29-Nov	Steph Burkhart http://sgcardin.blogspot.com/

"Riveting" Ryan Reynauld is immersed in a world of music, parties, and temporary companionship. Having risen to the top of the pop charts, his biggest concern is objecting to the way his music is produced. That is, until he finds a young woman standing on a window ledge. Against the advice of family and friends, and through media attacks and fan protests, Ryan determines to care for her himself, making a promise that threatens to destroy his career.

Convincing the skittish girl she can learn to trust again comes with a steep price. Sometimes the path to recovery begins by allowing your world to implode.

Elucidate Publishing
November 2009
http://www.elucidatepublishing.net

Book Review: Fire Eyes by Cheryl Pierson

Fire Eyes
Cheryl Pierson

The Wild Rose Press
ISBN 1-60154-470-7
available in Ebook & print

Kaedon Turner is a federal marshal in the days just after the War Between The States. After his parents are killed by Indians, Kaed is rescued and raised by the Choctaw before setting off on his own path, first as a soldier, than as a marshal. When he is severely beaten trying to rescue two young Choctaw girls, the Indians rescue him and drop him at the door of Jessica Monroe.

Jessica is a young widow caring for a baby not her own in the wild Oklahoma Territory. While taking care of the marshal and nursing him back to health, she finds herself falling for his advances. He shows a promise of giving her the attention and devotion she never received from her husband. Still, she’s wary, especially when she learns he’s on the track of the notorious Andrew Fallon – the man who murdered her husband.

Both Kaed and Jessica enter the story with plenty of personal baggage. Fire Eyes is the story of how they face their own intimate fears while battling external dangers. Jessica is afraid of the Choctaw and of allowing herself to trust Kaed. He, in return, is haunted by his own loss and determined not to feel it again. Along with these two deep, true-to-life characters are several supporting characters we get to know well and care about. Fallon is one of the most evil villains you’ll run across, complete with background. The side story of two young girls who escaped Fallon’s clutches is endearing and adds a wider scope to the whole picture.

Along the way, we get lush detail of the landscape as well as some historical background of the times. Cheryl Pierson has a knack for creating intensity with both description and plot that refuses to let you out of the story until you’ve read the whole thing, and even then, it stays with you. There are no clichès concerning the ‘wild west’ or Native American life. I wasn’t always fully convinced that the group of marshals would be quite so open with their emotions as they were, but at least they did have emotion instead of being impervious to their pasts and present (ie John Wayne). 

Overall, Fire Eyes is a smooth, realistic read with wonderful characterization, real dialogue, and an absorbing fullness. Any reader interested in romance and westerns will enjoy this one!

A light note of caution: this is on the spicier side of non-erotic romance in places, but readers can easily move past those short scenes if bothered by them.

Weeds and Flowers

There is Scottish Thistle growing along the roads beside our house. We’re in western Pennsylvania, which apparently has such deep Celtic roots and ancestry that thistle happened to spring up from the earth. Okay, I suppose someone brought some back from Scotland. It wasn’t us, although we were there last summer, and although I had a lot of  fun admiring the country’s national emblem growing wild in the highlands and along roads and being depicted on street signs and shop signs. I didn’t notice it here before. Maybe I wasn’t paying attention.

To be honest, it likely didn’t have the chance to grow as well as it has this year because … well, our state has yet to approve a budget so weeds alongside the roads aren’t being cut. At least that’s my theory as to why they’re taking over the sideline landscapes.

Yes, I’m enjoying the purple thistle. It reminds me of Scotland and I have a true, deep love for that country. It doesn’t quite match the love I have for my own, but it would be one of two places I would relocate if I every got kicked out of here (and with some of my political opinions, maybe I will be). The other would be Italy, but then I’d have to learn Italian. The Scots at least speak English: not quite American English but close enough to catch on quickly.

No, I don’t have plans to move, but when I mentioned to my husband that a local plant nursery had thistle growing in front of their building, which I thought was very cool, he said, “I can’t imagine why anyone would plant a sticker bush.”

Oh. I suppose he has a point. As I thought about it, I decided I wouldn’t actually want it in my yard, either. It’s a weed, you know. It will spread and take over if it’s allowed. And although I enjoy the bit of it I see, there is a line things need to maintain or else they cause havoc.

I also enjoy the goldenrod not being cut down. I’m allergic to the stuff and definitely don’t want THAT in my yard, but in my car as I’m driving past with the windows closed, it’s very pretty. [Now I’m hoping I’m naming that bright yellow weed correctly. TC, my professional gardening friend, may correct me, a gardening amateur.]

But that’s the way it often goes – something that looks like a very cool idea in its bright and shiny glory at a distance changes once you start looking closer.  I think we see that in politics a lot. I’ll leave that thought for the moment. I blog politically blatant at Myspace and sometimes at Facebook, but not here. Don’t worry. I won’t start.

I know we see it in everyday life. And I see it in writing. Adverbs are weeds, for instance. In their proper place and kept at a minimum, they  are pretty words that help a writer get an image across. Left to spread uncontrolled, however, they muddy the waters and we’re left with so many of them it’s hard to see the grass. I love grass. It’s the basic structure, the spreading earthy grounding soul of a yard, and of a book. I’ve become obsessed with grass after living in the south for 12 years and having such a time trying to keep my yard green and fresh. I planted some recently here and go look out at it every day. It’s thriving. I did nothing but prepare the soil, throw some straw over top to hold it and mulch it, and timed it just before a few days of rain moved in … and it’s thriving on its own. A beautiful site.

The patch that was nothing but packed dirt and weeds is now soul-soothing (green will do that for you) and makes me feel like my thumb is a touch more natural than I thought.

Of course I have flowers, also. The marigolds in the photo above are now planted here and there around my flower beds. Many don’t like marigolds because they smell bad. Yes, but they are natural pest deterrents. Critters don’t like their smell, either. I put marigolds in with my veggies this year and have had very little trouble with Japanese Beatles.

Flowers are the extra description of a novel. They highlight the story, bring color and beauty. Again, though, too much of it and it  overpowers everything until the story is too hard to find.

Nature is about balance. Grass should be central. The Japanese would disagree with me, but I’m an American and so my statement stands. We like pretty yards of rolling grass without weeds and highlighted by flowers. That’s how I like my fiction, also. Rolling grass [story] with maybe a dandelion accent [weeds] here and there and a flowery [descriptive] highlight. 

~~~
Tomorrow (September 4th)  I’ll be introducing myself during Classic Romance Revival’s “Author Intro” month, part of their grand opening celebration. Come by and see what you can win just by commenting!
http://www.classicromancerevival.com/blog

--

Author Interview: Joanna Waugh

Blind Fortune
Joanna Waugh

Regency Historical Romance
322 pages
ISBN:9781419959028

buy link: Cerridwen Press

Read My Review on CRR 

LK: When I first heard about Blind Fortune and saw the cover featuring music, I knew this was a story I wanted to read. The combination of music and history was compelling enough, and then I got to know Joanna through mutual writing sites. Through her daily writings I could see she was well-studied in both her story matter and in the writing craft. I also enjoy her informative blog posts about the Regency period of England as often as I can get to them. As impressed as I was with the story of Lady Fortuna Morley and Charles, Marquess of Granville, I’m honored to have Joanna here talking about her debut novel. Welcome, Joanna!  
 

Joanna Waugh: Thanks so much for inviting me in today, Loraine. And thanks for the great review of BLIND FORTUNE.

The first question I always ask is if you have a response to my review. Is there anything you'd like to highlight or argue?

JW: I only want to say how pleased I am you liked the book. The feedback from readers and reviewers has been heartwarming. I’m overwhelmed by the positive response BLIND FORTUNE has received.

It’s all well deserved! Debut novels tend to be a huge learning curve and I think you’re starting ahead of the game. Speaking of starts, as I mentioned in the review, the amount of research you did for the novel is impressive. Are you a researcher by nature?

JW: I think so. I discovered I had a knack for it in the late 1980s when I researched my husband’s family tree. I was able to ferret out information about his great grandfather others had spent a decade trying to track down. Later, this talent stood me in good stead when I became involved politically. I think I would have made an excellent investigative reporter!

Yes, I’m guessing you would, also. Family tree research is an admirable skill, and tedious. I’ll bypass the political question that’s skimming my brain since I try not to do that here ;-) and move on.  

The Regency Period covers England in the late 18th to mid-19th centuries. How long have you been interested in this era? Did you grow up reading Regencies? If not, what was your favorite reading material?

JW: My mother belonged to Book of the Month Club and I grew up on authors like Mary Stewart and Daphne du Maurier. I had a voracious reading appetite. By junior high, I was sneaking into the grown up section of the public library. I couldn’t borrow the books so I’d sit there all day, every Saturday, reading them.

Mom loved history and historical romance. She still does. I remember once, when I was in grade school, the Kroger store had a special promotion of young adult biographies. Every week Mom bought me a new one – George Washington, Stephen Decatur, Abraham Lincoln, Louisa May Alcott. I loved American history! But I got hooked on the English Regency when I discovered Georgette Heyer as an adult.

How wonderful of your Mom to feed that interest! I started reading historicals because Mom did, as well, particularly with John Jakes and Irving Stone. I may have to look up Georgette Heyer.

Joanne, as well as history, I sensed a love of art in general from within "Blind Fortune" and had to go peruse your website to fulfill my curiosity. Can I say I'm not surprised you studied art? Now I have to say I also began college heading toward commercial art and changed paths, as well as also being pulled out of college for marriage. This is leading to two questions:

Was your art love a planned theme for this novel or did it appear as you wrote?

JW: How wonderful we have so much in common, Loraine!

Most blind people possess an affinity for music so it seemed logical that Lady Fortuna would play the pianoforte by ear. And because music speaks so deeply to the soul, I knew it had to be important to my emotionally wounded hero, Charles Lowden, as well.

Music, art and classical literature were an integral part of 19^th century life. Some of the greatest painters of the 18^th and 19^th centuries came out of England—Joshua Reynolds, John Constable, JMW Turner. William Hogarth and Thomas Rowlandson were wildly popular with their satires of English life.

Remember, this was before photography. The only way to memorialize a scene or person was in a painting or illustration.

That’s something I didn’t know about the blind. Interesting. And I’m applauding your point about music and healing. Speaking personally about the soul, did your own experiences play a role in Lady Fortuna's feelings and fears about married life or about life for women in general?

JW: I wrote BLIND FORTUNE based on personal experiences with my husband’s loss of sight from diabetes. Most human communication is nonverbal so he often misunderstood conversations. It struck me as an excellent premise around which to craft a romance.

I tried to imagine what life would have been like for a blind woman of good birth during the Regency. But the story really came together when I read Mary Wollstonecraft’s Maria or The Wrongs of Woman published in 1798.

Women of the Georgian and Regency periods were owned body and soul by the men in their lives. In BLIND FORTUNE, Lady Fortuna fears a husband might lock her away once he gets his hands on her dowry. It’s a legitimate concern, given how little time alone courting couples were allowed in order to get to know one another. An unscrupulous man could hide behind exemplary behavior until the marriage vows were exchanged.

In Mary Wollstonecraft’s world, a woman’s identity was subsumed with that of her husband when she wed. People literally believed the biblical doctrine “two become as one flesh.” Divorce was almost unheard of and required Parliamentary approval. Once married, a woman was trapped for life.

Ah, I read part of “The Wrongs of Woman” as part of a women’s literature class some time ago. Powerful writing. It’s amazing how far women have come and we need to pay homage to women such as Wollstonecraft for helping that come about. I’m glad you mentioned her.

As romance writers, we know there is a tendency for the general public to look down on romance novels. And yet, they are the best selling genre consistently. I know from your website that women's issues are important to you and you've done a fair amount of research in that vein. Do you think there's a connection between a general degrading of romance and 'chick flicks' that relates to women's fight for equal recognition?

JW: You are right that women’s issue are close to my heart. In the early 1980s, when my husband lost his sight, I needed to find a better job to support my family. As a union employee with the local gas and electric company, I was able to leave my clerical position and become the first female journeyman electric meterman.

As a writer, particularly an American one, I can’t help but bring this experience to my stories. Unfortunately, it makes them less true historically. I mentioned before that women of the 19^th century were at the mercy of the men in their lives. Most of them were content with this position. But that attitude doesn’t resonate with 21^st century women. More of them are entering the military; more are opting to have children outside of marriage. It’s difficult for them to identify with the past as it truly was so an author sometimes must bend the truth to fit modern sensibilities.

I think you did a nice job showing both, balancing the historical aspect with the needs of modern fiction.  I also have to think many women were not content with that slavery but unsure how to go about changing it. It was widespread battered women/victim syndrome where only the strongest dared fight it.

To lighten things up again, what is your favorite color? Do you wear this color a lot?

 JW: Blue has always been my favorite. But over the last few years, I’ve gravitated toward purple and lavender. It goes well with my gray hair!

Are you an outdoorsy type or do you prefer being within closed windows?

JW: Despite working outdoors for almost thirty years, I’m not the woodsy type. I don’t camp or hunt. My idea of roughing it is the Holiday Inn! But I do adore walks along Lake Michigan and boating.

There’s another similarity. I agree! So do you have any "different" hobby you'd like to share with us? Do you collect anything outrageous or scuba dive or so on?

JW: I collect Russian nesting dolls. Lovely little works of folk art. I have one whose smallest doll is roughly the size of a sesame seed. And it’s painted. With a magnifying glass you can make out its little smiling face.

Oh, those dolls are precious! I have a set we picked up in Germany but the smallest is nowhere near that small.

Speaking of painting and art, if you could claim one famous work of art as your own, which one would it be and why?

JW: Only one? What an impossible task! Van Gogh’s Starry Night.  Salvador Dali’s Invention of the Monsters with its flaming giraffe and his Persistence of Memory with its melting clocks. I absolutely adore Seurat’s Sunday Afternoon on the Island of La Grande Jatte. It’s on display at the Art Institute of Chicago. When my son was in grade school, I took him to see the painting. I dragged him up close before he had a chance to assimilate what the picture was about. Shoving him within inches of the canvas, I asked, “What do you see?” “Dots.” He said. Then I dragged him back and watched the wonder dawn on his face as the picture gradually coalesced. “The original dot matrix image,” I told him.

Joanna! La Grande Jatte is one of my all-time favorite works of art! I saw it at the Art Institute back in my college days after I’d studied it in art history class and it’s amazing. I had to use it in one of my books, I was so struck by the piece. Van Gogh is another fave. I love your picks.

Back to writing, tell us what you're doing now. Any projects in the works?

Right now I’m working on a Regency paranormal set on the border of Scotland in 1816. Home from the war, my hero accidentally releases the 6^th century spirit of a pagan king from a well in which it has been trapped for twelve-hundred years. The spirit follows him home and begins wreaking havoc. The hero and heroine must overcome their differences and work together to banish it. In the process, they rediscover the love they lost two years before.

Sounds like another great read. I’ll be watching for it.

Joanna, thank you for taking the time to be with us. I wish you all the best with future books. I also encourage any art and music loving readers out there to pick up Blind Fortune. Is there anything you would like to add? Be sure to leave us your links to find you!

Check out my resources for Regency readers and writers at http://www.joannawaugh.com

(Click on “Joanna’s Books” to read excerpts from BLIND FORTUNE)

Be sure to “friend” me on Myspace and Facebook

And don’t forget my blog about British customs and holidays at http://www.joannawaugh.blogspot.com/
-

Wishing They Existed?

For the next two weeks, one of the blogs I’m a member of is featuring a heroes tribute, meaning fictional heroes in romance. I look forward to reading each post, in seeing the different and similar viewpoints about what defines a hero. Technically, a romance hero simply means the main male character. He can be in all different forms from moody and distant to funny but strong.

There are similarities within heroes of each writing era. In early days of genre romance it was normal for the hero to take what he wanted from his heroine. That was encouraged by publishers. Not so anymore. If you write that kind of hero in your novels now, good luck getting a publisher to accept it. Now readers want strong but good-hearted heroes, those who would never take advantage because of their strength. He does have to be willing to fight for his heroine in some form, though. Most end up in some kind of physical fight for their heroines, and yet in dealings with her, are very kind and soothing.

One of the excerpts posted on the Lindsay’s Romantics blog showed one of these hunks rescuing and then soothing his heroine. A comment asked why couldn’t there be heroes like that in real life.

Well, of course there are heroes like that in real life. I’ve seen plenty. I happen to live with one of my own. I think sometimes we don’t tend to notice what heroes our men are because of how toned down our world is as compared to medieval days of castles and armored knights. Also, in fiction we have the advantage of skipping over daily mundane activities such as grocery shopping and taking care of our certain personal needs no one wants to read about. We don’t have to show clothing dropped beside the bed instead of placed neatly in the bathroom hamper or dishes left on the counter instead of rinsed and dropped into the dishwasher. Those things don’t make good fiction except in comedic fiction where it’s used for effect. They do, however, tend to diminish our heroes in our eyes because we do have to deal with them on a daily basis.

How many of us women think our men wouldn’t actually step in to be our rescuer if needed? I happen to think most would. I know without a doubt mine would. Heck, he even asks people not to smoke in a non-smoking section for me. That may be a mild rescue, but it’s still a rescue and should be acknowledged as such.

Look at our soldiers. We have many heroes fighting for us on a daily basis, even though some of the population they’re fighting for may not approve of what they’re doing (and fictional heroines often don’t, either, but still have a respect for them) and then coming back home to be loving husbands and fathers. Some of the sweetest images in my  mind are of these sturdy, strong, fearsome men who get off the bus and fall into waiting soft arms with tears in their eyes and kiss their babies on their cheeks.

There are, indeed, still heroes today. We may have to look beneath the chinked and faded armor, but they are around us. Sometimes it’s the heroine’s fault when a hero doesn’t act a hero. Sometimes we’re too busy looking at the annoying little things to bother seeing the hero within. That’s a shame.

~~ visit Lindsay’s Romantics this week and next to get your hero fix!
--

Author Interview: David McClain

 

       An Interview with David McClain

   Find David's blog at

                Writing.com

    Find Keeper of the Word at

                Lulu.com

 

 

 

 

Keeper of the Word is David McClain’s debut book of short stories, independently published in 2008, and one of the best indie books I’ve had the privilege to read. His stories speak of who he is: spirited, spunky, earthy, and truly original. His writing blog is highly popular and his followers become quickly loyal. It’s easy to see why once you dig into the stories he’s collected in his first book.

I’m honored to be counted among David’s friends and am happy to offer this interview that, as far as I know, is his first.

So, Hello David! Thanks for taking the time to answer a few questions!

DM: Hi Loraine, and thanks for giving me this opportunity. You are correct, this is the first time getting interviewed for me and I don't mind telling you, I am just a bit nervous. If I stick my foot in my mouth just edit the heck out of me! So go ahead and fire the questions at me lady....I will try my best to make some sense of my answers.

LK: Ah, no need to be nervous. We're all friendly here. ;-)  First off, let me post the cover blurb for Keeper of the Word here. I generally review a book before asking the author for an interview and allow him or her to respond, but this time, I’m using the blurb and asking if you have comments about it:


"Reminiscent of cowboy storytelling around the campfire, Keeper of the Word is an eclectic mix of short stories with a wide range of genres. In his first published collection, David McClain uses a charming conversational style that keeps us pulled in to every word, waiting for what we soon learn will come at the end of each story: the “a ha” moment, humorous or thoughtful or eyebrow-raising. Running the gamut from romance to fantasy, from thriller to mainstream, each story has a constant theme – a pondering of life and love well-blended to touch the reader’s hearts."

DM: Well every time I read that blurb, the first thing that goes through my mind is: “They can't be talking about me can they?” Maybe it is because the blurb appears on the first book I ever published, but it always just seems unreal when I see my name in print....on a book....that strangers will buy and read. I always think there must be another David McClain out there doing this stuff.

LK:  I know what you mean!  David, you consider yourself a Storyteller, as it states in your introduction. What do you think is the biggest difference between a “writer” and a “storyteller”?

DM: This is just my opinion, but to me a writer is someone who is in love with their words. They want to create a word masterpiece that will be admired like the Mona Lisa hanging in the Louvre. Now don't get me wrong, that's not a bad thing....it just isn't me. As a storyteller, I am not so much in love with the words as I am concerned with connecting with the reader. When I write a short story or a novel I tell the tale as if I were telling it to a friend sitting on my front porch, sharing a cold drink on a hot day.

I know you have seen writers out there, some very famous, who use three paragraphs to describe a tree to the readers. Wordy. They use a ton of words to describe the tree. Sometimes this detracts from the story they are trying to tell. As a storyteller, I want you to SEE the tree but not get too caught up in admiring the tree and forget the world of the story I am trying to draw you into. A storyteller wants you, the reader, to be able to slip comfortably into their make believe world and become immersed in the story.

LK:  Excellent point. There is a line between showing and showing too much. And as I've read your stories, I know they have a very comfortable feel, as though you're reading it to me. Now, what shall we drink?  ;-)

From reading your blog, I know you use bits and pieces of your own life to create stories, such as your growing up years, your current job, and your military background. Do you ever pause and wonder if you’re revealing too much? Do you find it hard at times to write so personally?

DM: Someone once said that writing a book was easy, all you had to do was sit at a typewriter and open a vein. I believe that, and part of “opening a vein” is to pour a large portion of yourself into some of your characters. I have never wondered if I was revealing too much but only that I was being honest with the feelings. For that reason, in some of my stories I have drawn from my own feelings and experiences to flesh out a bad guy in the story. I have always believed that every person has both good and evil within them and both can be used to create characters.

LK:  I'm sure that's true, although some of us would have a hard time admitting our villains come from within! If we're honest, where else would they truly come from? I love the "open a vein" line.


Your stories and style remind me quite a bit of Frank Delaney’s Ireland where a storyteller is traveling around the country sharing passed-along stories of Ireland. Both books include touches of humor along with some kind of explanation or moral or come-uppance at the end of each story. It’s a rare style among today’s books. Why do you think that is?

DM:  Well first of all I have not read Mr. Delaney's work but it sounds good. I was affected at an early age by the works of a man who in my opinion was the greatest storyteller of all time: O'Henry. I have the complete works of O'Henry on my shelves today and from time to time I will pick up one of the books and read some of his great short stories again. From "The Ransom of Red Chief" to "The Gift of the Magi," all his stories had some sort of moral or twist at the end which would mete out cosmic justice to those who needed it.

Why do we not see more of it in this day and age? Maybe it is because in today's society nobody is to blame for anything. People are no longer interested in taking responsibility for anything they do so they really aren't interested in seeing a character pay for whatever they did wrong in a story.

LK:  Good point. So do you have a favorite story in “Keepers of the Word”?

DM:  Oh Loraine, that's a tough one. Do you have a favorite child....one you love more than the others? That is the way I feel about my short stories. But, if you insist on making me make a choice....it's a tie. There are two stories that are my favorites of that collection.

1. Mulligan--- As you know, Mulligan is a golf term meaning a “Do-over.” If a golfer hits a bad shot and lands in the rough, he can take a “Mulligan” and take the shot over. In this story all the stars align just right and one dark, snowy night, a man actually gets the opportunity to use a “Mulligan” to make things right in his life.

2. The Last Battle of Arwin Hawken--- This story showcases the fact that a man is never too old to stand up for Justice and take a stand for Honor and the woman he loves.

LK:  What genre(s) of books do you normally read and why did you choose to include a variety of genres within this collection?

DM:  This one is simple. I chose a variety of genres because I READ a variety of genres. I guess it also helps that I never know what genre one of my stories will fit into until I finish it. The story always has a life of its own and I am sometimes surprised at how one turns out.

LK:  Just for fun, if you could choose three songs to take with you to a year-long writing retreat and be limited to only those songs, what would they be and why?

DM:  Dang girl, that is another tough one...just three? Well okay, I will give it a try.

1. Music of the Night---From the musical Phantom of the Opera. You sure I can't take this whole CD? This music always helps to sooth my mind and allows the words to flow.

2. The Breaking of the Fellowship---Instrumental done by a Celtic group and from the movie Lord of the Rings.

3. And finally, Like Two Sparrows in a Hurricane by Tanya Tucker. I love bthis song because it reminds me of my wife and how much I love her.

LK:  Oh! Music of the Night is one of my all-time faves, also! Very inspirational!  I love all your choices, actually.  :-)

I have to ask this one: What is your favorite part of writing?

DM: I call it “The Birthing,” that magic moment when the first seed of the story starts to take root in my head. It grows and grows until I am literally forced to sit down at the computer and transfer the words from my head to the screen. I never know, when I start writing a story, how that story will end. Heck, many times a character will die in the story and I am shocked. I had not intended them to die....the story had its own path....I am just there to put it down in words.

LK:  Great description of it!  That is an incredible feeling. Of course we want to know what you’re working on now. How’s it coming?

DM:  I am currently putting the finishing touches on a novel: The Time of the Troubles, that I first wrote back in 1992. After it was finished, I promptly put it in a box under my bed and forgot the thing. I have about four more chapters to edit and then I have to add two or three chapters at the end because I just didn't like the way the original ended. When I wrote this novel I set it in the early 21^st century and it deals with an Islamic terrorist attack upon America which ends up causing a breakdown in law and order in the country. Looking back now, this premise seems almost prophetic. I plan on publishing that work within the next four or five months.

As soon as I have that project ready to go, I am going to start a sequel to it. I had not planned on doing a sequel, but after I let my oldest son read the novel, he insisted it was needed.

I am also working on a second book of short stories. I plan on using a number of new stories and a group of stories that I didn't have room for in the first book.

LK: Prophetic indeed. Strange when that happens, isn't it? I look forward to its publication and hope it has a good ending. ;-) 

One more quick question: if you could choose one book title to describe your life (title, not contents) what would it be?

DM: Dreams Come True, If You Live Long Enough!

LK:  David, thanks again for taking the time to talk with us. Is there anything you would like to add?

DM:  I would just like to say “Thank You” again for this opportunity to talk about what I love...writing. I would also like to say to all of your readers: If you are a writer, I don't care what kind of writer you are, or what you like to write, please never lose sight of the prize. No matter how hard it is, no matter what kind of roadblocks you have to overcome, all the effort, all the work is worth it in the end. The first time you hold a book in your hands with YOUR name on it you will know a rush, and a high that nothing else in the world can give you. Whatever money you make is just icing on the cake.

Stay true to that little voice in your head that whispers the story to you and keep pounding those keys...it is well worth it in the end.

Thank you.
--

Write What You Know - but what does that mean??

 

In the process of research today, I was trying to find a specific type of establishment in NYC that would work for my story. Now, I've been to NYC briefly and plan to go back, but I don't have the option to run spend several days there just for story research. It would be nice, but let's face reality: when you have kids at home and a job and such and you aren't the owner of Trump Tower with a private jet, there are restrictions on doing such things.


Internet research wasn't working well. I had the look in my head for the place I needed but try putting that in a search engine. It didn't work well. Finally, I went to Yahoo Answers and asked people who would know: NYC residents. I answer lots of questions there about books and writing and sometimes other subjects, so I figured getting a touch of return help would be nice.

The first answer I received started by saying:  "The first rule of writing ... write what you know."

Hm. Yes, that's helpful. Thanks so much. He did also mention a name of a place that might work but I was rather annoyed at the inference that I didn't know what I was doing that I didn't bother to check the place. [Luckily, the second answer was exactly what I was looking for! He'll get 10 points for being not rude and very helpful.]

Write what you know. So he meant I shouldn't put my character in New York City since I don't know it well? Or that I should use only the places in the city I do personally know? I am using one, a small music venue I enjoyed, if it matters. I know the feel of the city enough for the story. I know enough that it needs to be mainly set in Manhattan instead of another borough. My main character is heavily into the music industry. Let's see, if I can only write about the places I've been long enough to write with any real detail about them, the story would have to be set in Illinois, Texas, Massachusetts, Idaho, Georgia, Virginia, Pennsylvania, or Germany. None of those work real well for this character. Actually, none of them work at all. Yes, I set Rehearsal in MA but it worked for them. Or does that mean I can't write about a character in the music industry since I've never lived in any of the three big music industry spots in the US? Not to mention I've never been involved in the music industry itself. That's what research is for!

I'd like to tell this "top contributor" that writing what you know does not mean using only settings you know first hand. How limited would that make the literary world? What about historical fiction? Should no one write about time periods they didn't live in? How sad would it be to lose all those magnificent stories of the past?

Writing what you know is much deeper than that. It's writing the truths you've learned, the things you've seen, the thoughts you've had, and feelings you've felt. It's putting yourself IN your work and adding all those luscious true-to-life things that make books "real" instead of simply described. It doesn't mean write about your life as a memoir, which is okay also, but limiting. It means to take those things and turn them into fiction that echoes real life, that shares yourself and your experiences.

I write what I know. I have always studied people and families and relationships to watch what makes them work or not work. I make note of societal issues that stand out in my mind because maybe I have some valuable thoughts or ideas to share about them. I think things through. I know things. I see things happen and the effects of those happenings. I write about them. It's fiction, of course. I use them differently than they were in real life but the same -- the same concepts, the same issues, the same relationships. Or different relationships based on how things might have worked "if" only....

THAT is writing what you know. Is my story invalidated because I don't know which NYC restaurant has the look and location I need for a certain scene? I don't think so. The story is about love, loss, despair, hanging on, and letting go -- all things I do know first hand. If I was doing a documentary about NYC, then I would see his point. Otherwise, it's way off base. So is anyone else who tells a writer not to do a story in a place she's never been. That would throw out all sci fi and fantasy also, wouldn't it?

Write what you know INSIDE. Write what you FEEL. Write what matters to you, what you care about. Use details from your everyday life such as the moist breeze blowing against your cheek while standing on a beach, or the pounding, clacking noise of a nearby train station, or the way you feel when someone takes your hand and says it's going to be all right. Use that. Use your own reality. And put it anywhere in the world your character needs to be. The rest can be researched.

-

Setting: The Watery Breath of a Story

 

"Water is the driving force of all nature."
Leonardo da Vinci

 

As water is the underlying basis for everything that lives, so setting is to every story that breathes.

 

Everything has to happen somewhere.

 

How do authors choose where their stories will happen? ~shrug~ I can't speak for others, as we all have our different reasons for sticking our characters wherever we stick them. Generally, it's love: the love of history or love of a certain place we visited or love of the unknown. With me, it tends to be a mix of all three.

 

By now, I've lived in six states and two countries and have traveled* a lot in between. [side note below] I've also taken an incredible cultural psychology class that further emphasized how we are affected by where we live. In the words of Anais Nin, "We don't see things as they are, we see things as we are." Setting is not only a place; it's character. It's part of who our characters are and novelists who ignore that are missing a huge chance to fill in the depths of the story.

 

Aphrodite, the ancient Greek goddess of love, was born of the sea.
from pureinsideout.com

 

In my first-to-publish novel, Finishing Touches, Jenna is a small town Midwest girl raised nearly on the banks of the Illinois River. The river and trees surrounding it play a large part of her story, the trees being symbolic of her inner strength and deep roots and the river of her unbound soul that flows along where life takes her. There's also the little bridge mentioned that she crosses over, pausing to look down into the shallow creek. A bridge is a metaphor for crossing a boundary, for change, or for pulling the two different parts of her life together. In addition to the structural "place" of the story, being from the Midwest helps make Jenna who she is. As each country has its unique qualities that help define its people, so do different sections of countries. As a small town girl raised in the Midwest myself, I fully understand Jenna and have a special love for the people who tend to be very earthy and natural, and rather conservative in actions and speech. Although the story is not autobiographical, other than the searching issue, the setting is. My first novel has the most involved setting; it's the most interwoven with the main character.

 

When I first started writing the Rehearsal series in notes and scattered scenes and character development, I was still in that small Illinois town, but my thoughts were always wandering elsewhere. I wanted to go out and see new things, explore new places. I couldn't do it often at that time, but my characters did. As a result, they are more worldly than Jenna, all transplanted from the beginning of the story which makes the setting less woven into their characters. Two are from Pennsylvania, three from New Hampshire, one from the UK. The story is set in Massachusetts, roughly thirty miles from Boston. However, it takes them out of their adopted town often, into other places, a metaphor for my own wanderlust.

Each of us "belongs" in a certain place. It may not be where we were raised. There may be some other place that calls out to us and helps us feel more settled once we're there. For me, that place was temporarily the Northeast and permanently the Mid-Atlantic. We lived in Massachusetts for some time and I adored the area, was sad to have to leave. At the same time, when we passed through Pennsylvania to go back to visit family in Illinois, it called to me, as it had during family vacations when I was young. And so, my two main characters from Rehearsal, Evan and Susie, had to be from Pennsylvania. I set them in the eastern part of the state so it would work better with the story, but put Evan's alma mater on the western edge. When putting him there, I never in the world expected to end up living so close to it.

 

My New Hampshire characters are supporting cast. I wanted them transplanted instead of being Massachusetts locals in order to give them that extra edge. Their personalities aren't MA personalities. It wouldn't have worked. I have yet to visit New Hampshire, so if anyone from the state wants to comment on whether they fit, I'd love to hear it! Of course, you'd have to read the book to find out. ;-)

 

"It is a curious sensation: the sort of pain that goes mercifully beyond our powers of feeling. When your heart is broken, your boats are burned: nothing matters any more. It is the end of happiness and the beginning of peace."
George Bernard Shaw

 

My next-to-come book, Off The Moon (fall 2009), has two main settings: New York City and Bennington, Vermont. The main character is heavily in the music industry and so it worked well to have him in the midst of one of the music centers of the nation. His family is in Vermont, which worked in different ways: it's a short enough drive from NYC so he's able to run back and forth easily, it's another place I've yet to visit (love of the unknown), and it has a wonderful lake setting that's important to the story since he adores boats and owns a pontoon he uses to escape his busy city life. With any luck, I'll be visiting the area before putting the final touches on the book. However, he grew up a military brat, so for him, place is very fluid and the lack of deep roots shows through his personality and his actions.

 

If you haven't figured it out yet, water plays a big role in all of my stories. I'm drawn to lakes, rivers, oceans, and even small trickling streams. I love to swim. I love to watch and photograph waterfalls. I love to be on boats of any kind. I think it's unlikely I'll write a book without this feature, as it's too embedded into who I am.

 

"My books are like water; those of the great geniuses are wine.
(Fortunately) everybody drinks water."
Mark Twain

 

I'm currently in process of adding photos of some of the settings in my books to albums on my website. So far, I have the Finishing Touches album done and most of those photos were taken by family members. More setting albums will come soon.

 

***  This entry is part of Classic Romance Revival's Blog Carnival. Go to CRR to find more authors writing on the subject of setting!   www.ClassicRomanceRevival.com/blog ***

“The Truth is you are a part and parcel of the great being. You are one of the cells of the Great Being, you can call it. And once a drop falls into a ocean, it becomes an ocean. And once you become the ocean, you see the whole world in a different way, and understand the whole world as a beautiful place of enjoyment.”

Carl Gustav Jung

[side note: For those who have read the Rehearsal books, yes, I spell traveled as "travelled" in the series intentionally. There are two reasons for this: back when I was in grade school studying spelling lessons, many of the consonants were still doubled as they tend to be in British English, including travelled. I well remember when that started to change and balked at the idea. I don't always do change well. And I like the way the world looks better with two "L"s instead of one. As this series started to come to life way back during my school days in the 70s, I left it "travelled" as it was still spelled then. Also, much of the series is set in the 70s and so it's appropriate to use the spelling of the time. There's also the third main character who is from the UK and so would also spell it in that manner. Other than in the series, I sigh and conform and drop the extra letter.]

 

-

 

I have an idea, but...

You know how often wanna be writers use this line?

-- I have an idea, but I'm not sure if it's already been done.

-- I have an idea, but I'm not sure what will be selling when I finish it.

-- I have an idea that I want opinions about, but I don't want someone to steal it.

-- I have a great idea, but I need help with the plot.

 

This may sound insensitive, but if you're a writer, you write. Whether it's "been done" or whether the market shifts or whether you know the full plot when you start. If you want to write, then write it. If you're iffy about whether it's worth your time, it probably isn't.

 

No one is going to steal "your" idea. There isn't an idea out there that hasn't been done in some way already. It doesn't matter. What matters is how YOU do it. No one can tell your story like you can. So tell it. Or don't. But don't blame "but" and don't let it hold you back. If it holds you back, you may enjoy writing now and then but you're not "a writer" who will get anywhere.

 

Agents and publishers want books, not ideas. Readers want full stories. They want to read stories from authors who have been writing long enough and seriously enough to be good at their craft. They want emotion and depth and heart. If you have this and can put it into your stories and are willing to sit down for the hours after hours after hours writing and rewriting and rewriting more and cutting out your precious words that don't work well enough and filling in what hasn't been shown well enough and rewriting again and editing, editing, editing, and if you're willing to get critiques from those who won't pander to your ego ... and then go back and fix it ...

 

Then take your idea and CHARGE full steam ahead with it!

 

Someone recently asked me if the being unsure and rewriting ever stops. Being unsure never stops. Or it shouldn't. Rewriting eventually stops with each book after it's where it needs to be, but it starts fresh with each book that will need to be rewritten, also. They all will. The more you write, the less you'll need to rewrite because you learn more each time. A first draft, though, will always be only that.

 

I was noveling seriously for ten years before I put my first book out. That ten years included a novel writing class, studying the technique elsewhere, lots of reading (as I'd always done and if you don't, don't think you can write well), and TONS of rewriting. It's part of the job.

 

I have an idea ... actually I have lots of ideas, with seven novels in progress at the moment in different stages. Do I care what the market does or what anyone else is writing? Nope. I'm writing all of them because I need to write them. Hopefully, someone will want to bother reading them. Either way, they're going out there. No ifs, ands, or buts.

When You Know It's Right

All writers know that moment: when you put down words that flow from somewhere within and it's simply perfect. It doesn't come often, but it does come.

I said a couple of days ago I had the 2nd draft of Off The Moon done. It was. Except it apparently wasn't. The end bothered me. It wasn't "just right" but I figured it would come during edits.

It came last night instead. NOW it feels finished. It feels like a real end mixed with a new beginning and it's satisfying. It feels right. And it's amazing how much more refreshed I feel today.

On the BookSpa list the other day (linked to the right), we were discussing whether a writer is who you are or only what you do. There were good points on both sides, but I said it's who I am, that I'm not me if I'm not writing enough. Then I wondered if I was being pretentious. Last night reminded me why I say it's who I am. When you wake up refreshed in the morning instead of feeling a nagging weight and the only thing that changed is finding the "right" ending (or other part) of your story, a writer is who you are. It's part of you.

This book in itself feels "right" as well. Something inside says this is the one to focus on, the one that will make me more established as a writer to be acknowledged. I know that sounds pretentious and I humbly apologize but the saying that goes "if you don't believe in yourself, no one else will believe in you" is completely correct. I believe I'm a writer to be acknowledged. I'm glad to finally be able to say so instead of shying away from saying I'm a writer. And this time, I'm going about the publishing process in a more productive way, a way that will help that more than I have so far.

One thing I'll be doing is ordering ARCs (advanced reading copies). As an indie, I'll have to pay for them myself but I believe it will be worth the cost. I want it reviewed, hopefully by the Library Review Journal among other places. I want names in the business providing cover quotes. I may even go after quotes from big names such as Marilynne Robinson, my unwitting mentor, and Roberta Isleib with whom I've established somewhat of a working relationship.

I can't put in the thousands of dollars for promo as some self-publishers (such as The Shack author) do in order to get big sales, but there are less expensive ways to do things that are still done right and I'm all for finding them.

Keep an eye out for Off The Moon. I believe you'll want to find this one.
-

Do You Twitter?

 

AHHH! There are so MANY social networks out there and although some of your friends may already be on the one(s) you're on, some are on different ones and how do you keep up with all of them when they're all over the place?

Well there has to be a limit. I'm on Myspace, Facebook, Shelfari, Goodreads (although I only know how to get to my account there through my Facebook), Yahoo 360, Flixster (connected to family only), Gather (although I haven't been there in forever), LibraryThing, and there are likely others I've forgotten by now. I also recently joined Twitter. Why? Because John Kremer told me to.

No, I don't always follow orders from experts who say "you have to do this to market," and I put it off for some time after Mr. Kremer insisted it's a book marketing necessity, but ... I'm at Twitter. Find me there and everywhere else by searching LK Hunsaker (no punctuation, although I apparently like parentheses). You know what? I like Twitter although my first thought when I heard about it was somewhere along the lines of rolling my eyes, which I very well did. How can I not like it? I "followed" Keith Urban and he's following me back! Granted, most of the big names don't bother to follow you back and I know Mr. Urban has more to do than to actually read my twitterings (yes, I think that is an actual word now) but still, when you decide to stalk someone who decides to stalk you in return, it's flattering. Uh, I mean follow, not stalk. I think.

Much of it feels like stalking, though, with some of the stuff people put on there. I finally stopped following an author who every two minutes informed all of us about how her refrigerator cleaning was going with more description than I wanted, thanks anyway. So Twitter away, go for it, but leave the frig cleaning and such in private, please. I don't want five minute updates about what you're doing unless it's actually interesting. Hey, if you're backstage with Bon Jovi getting to see the roadies at work and the band at play, by all means, let us know. Or if you're on your way to London from the States and getting stopped by security although you're a big name, let us know that, too (a nod to Rob Thomas -- sorry, had to laugh about that one). I like finding new blog entries and new happenings and reading successes and struggles along career paths. I like nature/spiritual quotes. I like some of the regular daily stuff as long as it's not overdone, or gross. I do appreciate those who keep the language PG rated since you never know what age group is following you.

Today Steve Weber decided to follow me. Of course he's looking for writers to follow him in return and I'll be glad to do so, but that means my name is getting out there as being a writer. That's a good thing. It's also getting out that I'm music-obsessed and appreciate the meditative quality of nature since those into Yoga are following me.

It doesn't even take much time, which is a good thing when your schedule is busy as most of us can say. I run through now and then to see what others are up to, sometimes sending return comments, and post what I'm doing or thinking. Um, I don't post about what I'm cleaning. That's even boring to me. Why would I share the boredom? Of course, some may think my nature appreciation posts are boring, so I don't do them often. Variety is good. I do some marketing posts but I prefer simply to chat with people. I might have to find something interesting to be in the midst of so I'll have something more interesting to post. Because ... while editing may be brain-filling and intense, it's boring to read about. Hmmm... what I can think of to tell people today?

Oh, I have these blog posts linking automatically to Facebook. Now if I could do that with every other site and make this my main hub of communication, how grand would that be?

Now for the minor marketing insert... I have a new short story free to read: a very short romantic comedy about two dogs and sneakers. Go to Smashwords to check it out. While you're there, peruse my other free stories! It won't bother me if you decide to check out my novels in Ebook format, either. ;-)

-