Tartan Day and following the band

The Declaration of Arbroath, which declared Scotland’s independence from England, was signed on April 6th, 1320.

Firstly it set the will and the wishes of the people above the King. Though they were bound to him 'both by law and by his merits' it was so that their freedom might be maintained. If he betrayed them he would be removed and replaced…

Secondly, the manifesto affirmed the nation's independence in a way no battle could, and justified it with a truth that is beyond nation and race. Man has a right to freedom and a duty to defend it with his life.   from TartanDay.org

In 1997, Tartan Day became official across the United States in recognition of the Scots influence in America and that our own Declaration of Independence was modeled after the Declaration of Arbroath.

~~

During the Creative Mojo radio interview, I mentioned that my Rehearsal series was inspired by my favorite band back in the 70s. It was “coming out day” as Nessa said, since I hadn’t said publicly which band that was. As it turns out, yes, the band was from Scotland and that gave a lot of us teenagers and pre-teens a huge interest in Scotland and in tartan. Hey, the BCR lads wore it to honor their heritage (or … to catch attention) so of course it was super cool, although in those days it was only super cool for Roller fans. It’s everywhere now, and it is “sick,” or whatever they say these days to mean cool, to wear plaid. Think it’s only circumstantial that it’s in vogue now that all those teens are now grown up and running things? Hm. Maybe.

Anyway, yes, Raucous, my band in Rehearsal, was inspired directly. And no, they are not meant to be an imitation. Raucous is an American band with a Scottish interloper, and they’re rock in the vein of Chicago and Journey meet KISS. As I told Nessa, I was still a young teen when I created this story and these characters. (Don’t worry; the writing has been completely redone since then!) The idea of a new guy coming in affected my thoughts and of course the tartan thing is there (but not worn by my band), and I borrowed a couple of names as a tribute of sorts.

Mainly, Rehearsal comes from my music obsession and my obsession with wanting to know and understand people’s backgrounds, the whys and hows of what they do and their choices, even when they are people I don’t know. I’ve also made a habit of studying the ripple effect in interpersonal relationships. Everything we do affects those around us, even if we don’t see it. Rehearsal has a huge ripple effect to it.

-- What happens when you give up something you want to help someone else? How does it affect that someone long term?
-- What happens when you choose to stay quiet and let things take their course instead of guiding them?
-- What happens when you don’t tell someone how you feel?
-- What happens when you make judgments about things you don’t fully understand?

There are many, many other ripples in the story, but all of these things spread wider than any of the characters expect.

Anyway, it’s Tartan Day, so back to Scotland. The photos in this post are my own, taken in 2008 when we went on a whirlwind Scotland, Ireland, England trip. The guy to the left is not a Rehearsal character (so far). He stood guard over dinner in a Medieval Castle dungeon.

The guy at the top is a bagpiper we found upon our entrance into the Highlands. We stopped and talked with him (yes, you have to love that accent!) and got our photos taken and picked up a Highland Sounds CD.

Along the way, everyone we met was incredibly friendly and it’s hard to go anywhere else and see as many smiles as we did across Scotland. Maybe that’s because we were so happy to be there they were laughing at us. Or because their Whisky is THAT good. (In Scotland, it is whisky, not whiskey.)

Although I began writing this series looooong before I ever visited Scotland, our trip provided some luscious detail that has been and will be included more here and there as it fits. (To the left is me along Loch Ness.)

Now what I need for the series is to tour with a rock band so I can to add to my internet research with more luscious details. Okay, that’s not likely, but then I never expected to meet the BCR, either, and in recent years, I have met two of them. No, they are not like the characters I created to work with the story. Hm, well, maybe bits and pieces are similar. ;-)


Happy Tartan Day to all Scottish Americans! And to all who love Scotland and all things tartan for whatever reason.

Here’s an excerpt from Rehearsal: A Different Drummer when Susie meets the Scottish interloper for the first time:

~~ ~~ ~~

As Susie walked beside him, she did her best not to let her nervousness show. What was wrong with her? She hadn’t been nervous when she met the other guys; well, not very. And she was nineteen now, not sixteen as she’d been on her first visit.

The guitarist’s eyes remained on her face. They were gorgeous: bright blue, with long lashes, and so shockingly direct. She generally didn’t like stubble on a man’s chin, but his accentuated his ruggedness. Maybe that wasn’t the right word. It was more ... a sensual aura. As she had felt at a greater distance, the man truly emitted pure sensuality.

“Suse, this is Duncan O’Neil. Susie Brooks.”

She barely heard Evan, but she already knew his friend’s name.

He extended a hand without releasing her eyes. “It is a pleasure.”

She felt the calluses on his fingers as he gripped her hand firmly, but carefully, as though trying not to hurt her. “Thank you. It’s nice to meet you finally, since I’ve heard so much.” Good. She had managed to keep her voice from shaking.

He glanced at Evan with a slightly raised eyebrow, just one. It was adorable.

“I know you remember me talking about Susie.” Evan touched her back again, her lower back: a possessive touch that didn’t make much sense, considering.

Duncan noticed and released her hand. He studied her as though trying to remember. Evan obviously hadn’t talked about her much.

“My friend from Pennsylvania. I wrote that she moved out here.”

Now, a sign of recognition. “The one your mum took care of?” He tilted his head with a touch of a frown. “He did no’ describe you well. I was picturing a young girl, which you are no’.”

A young girl? Was that how Evan saw her?

“I can no’ imagine why anyone would no’ want you around.”

Susie pulled her eyes away in hopes he wouldn’t see the warmth she could feel crawling into her cheeks. Why was he getting to her? It wasn’t as though she had never received a compliment from a guy. She’d received plenty, but most had only been lines, not real.

“I am sorry. I did no’ mean t’ embarrass you.”

She forced an imitation calm and grinned at him. “No, it’s ... I was thinking the same thing ... about you... I mean...” Cursing herself silently, she shook her head and took a deep breath. “I’m sorry. It’s been a long week. What I mean is ... Mike was just giving you a hard time. You fit with the band well. I hope you’ll stay and give it a try.”

“Hey, that is a compliment, coming from Susie.” Stu jumped in and nudged Duncan’s shoulder. “She’s the one who always has an objection for everyone we audition.”

Duncan barely glanced at Stu and his eyes were back on her. “D’ you hang with the band much?”

Band talk. She could handle that. “Pretty often. Whenever I’m not working.”

“In that case, I migh’ just hang around a while.”

Rehearsal: The Series
- A Different Drummer
- The Highest Aim
- Of Chaotic Currents
- books 4-6 still to come

LKHunsaker.com/Rehearsal/main.htm

Technorati Tags: Rehearsal,fiction,music,70s,Seventies,romance,Tartan Day,Scotland,books,BCR,Bay City Rollers

A Musical Moment: the 70s

I was a child of the Seventies. Now, when most say that, they mean their late teen and early twenties years were during the Seventies and they were smack in the midst of the hippie revolution. I mean I was a child during the Seventies and my teen years began right at the tail end of that decade. But, I was always kind of old for my age and when I was ten, I fell right into that music-obsessed teen-like musician worship stage. Anyway, it seemed to me that all teens and pre-teens were music obsessed and that all conversation centered around who was hot at the moment and who had the better voice/most skill.

Since those days, I've come to realize that isn't true: not everyone centered their teen worlds on music. Unbelievable, though it may be.

They say scent is the strongest neumonic; nothing brings recall better than a familiar scent. Maybe that's true for most, but for me, nothing will bring back a moment in time more than a song, or a band, or even a musical style. Take the Super Bowl halftime show. I don't watch football, but my son called me out when The Who came on. Suddenly, I was swept back in time to when their songs were on the radio and I was in my parents' home locked away in my bedroom working on something to keep my hands busy just as an excuse to be lost in the music. The Who played a mix of some of their top songs and while some were knocking how "old" they are and how "bad" the sound was, I could only think how cool it was to see them perform and be swept away to the past. And to be fair, they gave a strong performance for a band that came out in the mid Sixties.

It was great to share the experience with my son who is older than I was when The Who was on the radio. He was impressed. For "old guys" they played well and were full of energy, which surprised the sixteen year old with tons of his own. He commented on how good the drummer was and how cool the stage looked. See? This is a kid after my own heart. He gets it. It's not only entertainment; it's an experience. [He also found it cool that their drummer for the show was none other than Zak Starkey, Ringo's kid.]

How can you go through your teen years without falling for a particular band, or a particular musician? Music captures moments of time that can't be captured in any other way, and teens are primed and ready for this musical moment-stealing.

I was swept away by many singers and many bands during those awkward years. Donny and Leif and Andy and David, plus Styx and Journey and Chicago and Air Supply … I could spend as much time with them as I could pull from homework and chores and they were always there waiting. Granted, most of the albums belonged to my big sis since she had babysitting money, but as we shared a room and she was a loving big sis, I got to use her record player and her albums.

I still vividly remember the day she brought home a new album of a band I'd never heard of. I thought they were rather odd-looking, to tell the truth, not as cute as Andy and Donny, but still, there was something fascinating about them I couldn't put my finger on (other than their odd clothing choice). And then she played the album. I was grabbed in a way no other music had ever grabbed me.

I've talked with many adults recently who were big fans of the band, as well, and so often I hear it was their looks that were the big attraction. Hmm.. I'm one of the youngest fans and no, it wasn't their looks for me. Heck, I was ten at the time or right at that. Boys were still only undecipherable creatures and interesting but rather annoying (apologies to my little brother, but he understands). It was the music.

As I grew, I moved into the Eighties with Hall & Oates and Madonna and Michael Jackson and Tears For Fears and Julian Lennon, but that band remained number one on my list. Why? Who Knows? Something about them spoke to me. In fact, it spoke loudly enough, it became a story. What were they really like past the media hoopla? What was it like to tour and live in hotels and buses and be stuck with each other for months at a time? Did they get along behind the scenes? What about girlfriends? How do you have one with that kind of lifestyle?

The questions festered until I had to start answering them. No, I didn't stalk the band. They disappeared and all that was left were those albums and the posters previously smothering our bedroom wall and then tucked safety into folders. I was stuck in a little town in the Midwest going to school and family functions. In my head, though, I was on the road. It moved well past questions about that one band to being about a band in general, and a girl who supported them.

I created my own band to answer those questions. The results were thirty-some years in the making, with tons of research and music-following in general and talking with other fans and reading music biographies, and it became my Rehearsal series. It's not why I started writing. I've been doing that since I knew what writing was. It did spur an obsession for story-telling, for discovering the whys and hows and what ifs, even if the answers are fiction. All fiction has its truths. Reading a novel may mean no more than several hours of escape. Or, it may be a moment in time that causes a lasting effect in some way.

That one moment back in the mid Seventies when I listened to that one album lovingly crafted by artists coming into their own was much more than 30 minutes of escapism. It was pure inspiration. It was lasting joy. It was a trigger. If only one of my books could do the same, that would be a legacy I would be thrilled to have.

If you're wondering, no, I'm not revealing the band name, because that's not the point (and because I called them odd-looking -- apologies to those of you who do know who I mean, but I was only ten-ish and I mostly changed my mind later).

However, for those following the CRR Blog Carnival (and for anyone else who stops by), I do have a musical prize to be drawn from those who leave comments on this post:

A CD full of music from my youth, much of which is mentioned in my Rehearsal series, plus

Rehearsal: A Different Drummer as Ebook on a signed CD. I'll draw the name on Tuesday morning to give those in other time zones plenty of time to get here. Be sure I can contact you or stop back by to see if I need your contact info!

So what about you? Were you a music-obsessed teen? Who did you listen to? If not, what was your teen obsession?

--------

This is part of the Classic Romance Revival Valentine's Day Blog Carnival. Winners for the grand prize -- a 5-ARC package from Classic Romance Revival authors -- will be drawn from visitors commenting on the most blogs.  To qualify for the grand prize, you need to register for the contest.  Please visit the Classic Romance Revival blog to find details of all the blogs and to register:

http://www.classicromancerevival.com/blog/?p=1671

RELEASE DAY – Off The Moon

Off The Moon

LK Hunsaker

"Riveting" Ryan Reynauld is immersed in a world of music, parties, and temporary companionship. Having risen to the top of the pop charts, his biggest concern is objecting to the way his music is produced. That is, until he finds a young woman standing on a window ledge. Against the advice of family and friends, and through media attacks and fan protests, Ryan determines to care for her himself, making a promise that threatens to destroy his career.

Convincing the skittish girl she can learn to trust again comes with a steep price. Sometimes the path to recovery begins by allowing your world to implode.

Elucidate Publishing

November 2009

Print ISBN  978-0-9825299-0-4

$14.95, 370 pg, trade paperback
Ebook ISBN  978-0-9825299-1-1

~~~~~~~~~~~~~~
After two years of work on this book, it’s here!  I’m rather excited about this one – yes, I’m excited about all of my books, but particularly this one – because I think it has a much wider reach and draw than my first three. If you’ve followed my tour at all, you know it deals with quite a few issues (love, loss, family relationships, grief, abuse, mental health care, pop music management/fandom, and others) and sometimes is rather intense, but there is always the underlying hopefulness that I keep in all of my work.

Currently, I’ve been focusing on romance network marketing, but will be reaching out into mainstream fiction markets, since this one is more mainstream/literary than the others and less romance-centered.

The reviews are coming in strong and I’m well-pleased with them. I’m always anxious to know what readers think so sign my Guest Book any time to let me know!

Today I’m partying all over the net. Visit any of these places (plus right here) for a chance to win a PDF copy of the book. And remember, if you comment at 8 of my 16 tour stops, you can win a signed, print copy! Links are listed in posts below.

CORRECTION from yesterday: I’m giving away a PRINT copy of the book to one party attendee in any of my listed places, PLUS the Newest CD from Vicki Blankenship:

 
I’ll accept anyone who posts here today (Sat. 28th) as well, since I messed things up. ;-)

My main stop today is at Classic Romance Revival where I’ve answered a few reader questions and am taking more.

Thank you to all who have supported me in the past and present, and to Judah Raine of CRR Promotions and all of the wonderful blog hosts helping to spread the word!

Website: http://www.lkhunsaker.com

Blog: http://lkhunsaker.blogspot.com

Myspace: http://www.myspace.com/lkhunsaker

Facebook: http://www.facebook.com/people/Lk_Hunsaker/1419520316

BUY LINK: http://www.elucidatepublishing.net/books.htm
SPECIAL for RELEASE DAY only: free US shipping (discounted elsewhere), plus deep discounts for extra copies to use as gifts!

An Interview with a Musician: Gino Scalmato

Gino and I met back in 2001 when he and Dedication came down to Arlington, Virginia from their home base in New York City to play a fest for fans of the 70s super group the Bay City Rollers. They were a joy to work with and chat with, and I’m honored to have a special appearance on my blog by this talented professional rock/punk drummer!

LK:  Hi Gino! How about just jumping in and telling us a bit about yourself and your work?

GS: Hi Lorraine! Thanks for finding me. I’ve been a drummer for over 25 years & teaching for about 15 years or so. Currently I own a Drum & Guitar store In Middle Island, NY. I am currently playing & recording with a band out of NYC called THE SKEEVOTZ and doing a reunion with THE BEAUTY SCHOOL DROPOUTS.

LK: You have a long history of playing with different bands. What made you pick up the drumsticks?

GS: Yes, I’ve played in a lot of bands, all different styles of music: Punk, metal, thrash, blues & rock bands.I started playing drums after I heard KISS (The Destroyer album).

LK: Oh, how interesting! I’ve heard other musicians say it was a certain band that made them decide to go into music. It’s wonderful how inspiring other artists can be on us. Speaking of, what has been your biggest breakthrough moment so far?

GS:  My biggest breakthrough is being lucky enough to make a good living as a musician.I think a lot of musicians don’t realize that making it, is making a living.

LK:  A good thing for young musicians with musical plans to know. I’m sure behind that “luck” is a lot of very hard work and determination. Since we’re on that vein, I know a lot of musicians don’t actually read music; they learn to play by doing and by sound. Do you? Any thoughts on the difference?

GS: Yes, I read music. I believe reading music is very important & so is playing by ear.

LK: Nice to hear you say that. It’s similar to writers who study writing theory or not. Knowing the theory makes a difference. So, I see you’re currently in the studio. What do you like best about studio work? Is there anything you dislike about it?

GS: Working in the studio can be stressful & fun at the same time. Sometimes songs & your drum parts come out a lot different then you expected.

LK: I have to tell you, I was a school band drummer (snare, trip toms, timpani), but have never tried a drum set. I’ve often wondered how you go about writing music for the set. Any insights?

GS: Your drum parts should always be played from the heart & then transcribed into notation.

LK:  Ah, also like writing – first draft from the heart. ;-)  How about being on the road? Do you have any road stories you can share?

GS:  I’ve been lucky enough to play a lot great shows with a lot of great bands all over the country and have met a lot of great people. The Bay City Rollers fans always treated me great at all the festivals I was lucky enough to play.

LK: My son, a burgeoning drummer, is rather impressed that Beauty School Dropouts have played with Sum 41 and Rancid. How did that come about?

GS: We all played on the ’01 Warped Tour together.

LK:  Since I brought up family, my daughter, who gets annoyed with having to hear her brother practice, wonders if you drove your family crazy while learning.

GS: My family was always cool with it, the neighbor next door would always call the cops on me.

LK:  Oh, funny! Some people just can’t appreciate music! We’re lucky to have tolerant neighbors, I guess. Speaking of learning, I see you’re writing a drum book. That’s intriguing. Can you tell us about it?

GS:  It’s been in the works for a while now, should be finished soon. Contains all styles of drumming (Latin, Funk, Jazz, Rock, single & double bass with some heel toe ideas).

LK:  That sounds great, Gino! A nice addition to your store, also.  Because I ask everyone, just for fun, do you have a favorite color?

GS:  It changes a lot, but I just got a new silver drumset (LUDWIG), so I guess it’s silver for now.

LK:  Ha! Great answer. One I haven’t heard. How about a favorite artist, other than musical?

GS: Not really.

LK:  Gino, thank you so much for your time! Be sure to let me know when your book is out so I can pass word along to my readers. It may be a nice gift for my son, as well.

GS:  Anytime! I will send you a copy as soon as it’s finished. Thanks!

LK:  I’ll sure look forward to seeing it!

Anyone who would like to keep up with Gino and what he’s doing can find him on Myspace:
http://www.myspace.com/ginodrums

If you have questions for comments for Gino, please post them here and I’ll see if I can get him to return to answer. ;-)
--

I’m Going On Tour!

CRR Promotions has done a wonderful job booking me on blogs all through November to talk about my books and to promote my newest, Off The Moon, release date November 27th!

Come follow me!  I’m giving away a new short story, unreleased, that goes with the novel as a bit of a prequel at each blog stop. A drawing will be held by each host. The story will be printed, signed, and mailed to each winner at the end of November. Also, anyone who follows me to at least 8 of the 15 stops is eligible for a drawing for a signed print copy of Off The Moon!

THANK YOU to the following blog tour hosts!  Content will be different each day, to include author and character interviews. (I’m missing two links below but they will be added well in advance of the dates.)

I’ll be here to post reminders of where I’ll be and the subject for each blog. If you’d like an easy way to keep up, subscribe to my blog with the form to the right. Your email will not be shared or used for any other purpose than notification of new posts here.

01-Nov	Judah Raine http://judahraine.com/romancewriteup/
03-Nov	Jane Richardson http://janerichardsonhomethoughts.blogspot.com/
05-Nov	Sue Perkins http://sueperkinsauthor.blogspot.com/
07-Nov	Linda Banche http://lindabanche.blogspot.com/
09-Nov	Sandra Kay http://www.sandrakayauthor.blogspot.com/
11-Nov	Liana Laverentz http://lianalaverentz.blogspot.com/
13-Nov	Nancy O'Berry http://obe-romancingtheblog.blogspot.com/
15-Nov	Sandra Sookoo http://www.sandrasookoo.wordpress.com/
17-Nov	Lainey Bancroft http://www.elaineforlife.com/LaineysBlog
19-Nov	Lindsay’s Romantics http://lindsaysromantics.blogspot.com
21-Nov	Maryann Miller
23-Nov	Sandy James http://www.sandy-james.com/stable
25-Nov	Lizzie Starr
27-Nov	CRR - Release Date http://www.classicromancerevival.com/blog/
29-Nov	Steph Burkhart http://sgcardin.blogspot.com/

"Riveting" Ryan Reynauld is immersed in a world of music, parties, and temporary companionship. Having risen to the top of the pop charts, his biggest concern is objecting to the way his music is produced. That is, until he finds a young woman standing on a window ledge. Against the advice of family and friends, and through media attacks and fan protests, Ryan determines to care for her himself, making a promise that threatens to destroy his career.

Convincing the skittish girl she can learn to trust again comes with a steep price. Sometimes the path to recovery begins by allowing your world to implode.

Elucidate Publishing
November 2009
http://www.elucidatepublishing.net

Music Review: Yellow Submarine

While listening to a short band interview the other day where they talked about pyrotechnics and wanting MORE for each tour, I had to wonder why it’s so hard now to go to a “simple” rock concert and just … well, LISTEN to the music. How about getting rid of all that elaborate, expensive menagerie of stuff, lowering the price, and focusing on the music?

I guess I’m a tad old-fashioned. I go to concerts for the music. I like bands because of the music, not because of the looks and hype. I listen to words. I pay attention to intricacies.

So, when I find new music that takes me back to the days of concerts focusing on music, I can’t help but share it.

On September 9th, 1971, 38 years ago today, John Lennon released the “Imagine” LP. Even those who know next to nothing about Lennon or the Beatles know the title track. Imagine. The Seventies were very much about imagining. It was a creative, highly artsy time. I was only 5 when the album was released so to me the Seventies meant starting grade school and family birthday parties and little contact with the wider world. There was, however, music. Within music of the times, as I mentioned in an earlier post, we find the inner depths and attitudes of the times.

Now, in the form of an intriguing, enlightening new CD titled “Yellow Submarine” and produced by Marino De Silva, we have a nice recapture of the times and soul of the Sixties and early Seventies.

I have to say when I first heard about the CD, I was less than overwhelmed. I expected it to be all Beatles remakes and in general, I’d rather listen to the real thing than to a remake. There are exceptions.

Why did I order it, then? I’m big on research. I have to be for my job. So I researched the CD and found that not only do proceeds from the CD benefit Angels on Earth, De Silva’s foundation to help children with autism, but De Silva has also been an advocate for assisting the military and their families. That sold me. What can I say? As spouse of a retired soldier and Desert Storm veteran, I do have fondness for those who at least try to understand and care about what the military deals with, and especially those who try to do something to help. I’m also supportive of children’s charities. I didn’t order one. I ordered two.

The review: What can I say? I’m so impressed with this CD I’m thinking I should have bought more than two and used them for gifts. I still might. I’m a sucker for acoustic music, especially acoustic guitar, and for music that highlights individual instruments. With Yellow Submarine, there are lots of acoustic and highlighted instruments. I’m enamored with Steven Swinford’s Two Of Us acoustic guitar track and John Argent’s gorgeous piano version of Lady Madonna. The flute highlight in Jethro Tull’s Pavane is impossible to work through instead of stopping to listen (and I can work through most anything). The production of songs featuring greats Jimi Hendrix, Roger Daltrey, Eric Clapton, Dr. John, Mick Jagger, Ron Wood, Keith Richards, Carlos Santana, and Jimmy Page is so well done I can hear every sound in all its glory. It’s crisp and clear and about the music, not the hype. I was introduced to a few names I didn’t know and will now remember. Of course De Silva’s guitar work shines through and the title track by Duncan Faure featuring Marino De Silva is one of the exception remakes, a great cover.

Along with incredible music, there are clips of interviews with the Beatles and Jimi Hendrix.

I love this mix of music old and new, all in the same style and texture and technical excellence. There is no mush here. This is music by those who excel at music.

This is a must-have CD for anyone who enjoys 60s-70s sounds, as well as for anyone truly into the sound and skill of music at its best.

Find it here: YellowSubmarineCD.org  and add them at Myspace

Find info on Marino De Silva on his website.

~~~
Since I have an extra CD, I’m using it as a giveaway – a raffle for anyone who comments about this review. Leave your own review if you’ve heard it or just say hello! I’ll run it through the weekend to allow time and make the cutoff date Monday the 14th at noon Eastern. I’ll throw in a few things of my own, as well. ;-)

The Times in Music

There’s something about waking up to Quarterflash’s “Harden My Heart” and then moving on to The Fray’s “You Found Me” that makes you stop and think.

Harden My Heart:

"All of my life I’ve been waitin’ in the rain. I’ve been waitin’ for a feeling that never, ever came. It came so close but always disappeared. Darlin’ in my wildest dreams I never thought I’d go, but it’s time to let you know … I’m gonna harden my heart. I’m gonna swallow my tears. I’m gonna turn and leave you here.”

You Found Me:

"And I’ve been calling for years and years and years and years, And you never left me no messages, You never sent me no letters, You got some kind of nerve taking all I want! .. Lost and insecure, you found me, you found me, Lying on the floor, where were you? Where were you? Just a little late, you found me, you found me!

Think about this a minute…

For those who aren’t pop music buffs, Harden My Heart came out in the Eighties. It’s fairly typical of Eighties pop. The music is “simpler” in that you hear the different parts of the music clearly and it all blends together. There’s a sharpness about it and the lead singer stands out from the music while still working with it.

You Found Me came out in 2007 and was recorded in 2008. It’s also fairly typical of today’s music. There’s a “mush” feel where all the sounds seem to run together and it’s hard to differentiate one from the other, including the lead’s voice. We hear the words because they’re louder but it’s still part of the mush. The instruments are less sharp. There’s more “extra” stuff that jumbles it all together. Okay, I’m not a music critic and am not qualified to be, but Youtube these two songs and you’ll get what I mean.

The lyrics are my focus for this entry. I am a word critic. That’s part of my job. So yes, I analyze songs for their lyrics. The differences here are amazing. Harden My Heart: things are tough for her, she’s been hurt and betrayed and feels lost. So what will she do about it? Get together. Deal with it. Move on. It’s part of life and it’s her job to handle it as she needs. You Found Me: things are tough, he’s feeling lost and betrayed. So what will he do about it? Find God (smoking on a street corner, btw) and rant to him about why He’s letting bad things happen to him and those he cares about.

Yes, huge difference here in lyrics, and in attitude. But then, they reflect the times from when they were written. Song lyrics from the late Sixties to early Seventies tend to be pretty similar in attitude as You Found Me. In truth, there was a lot of whining about the lack of fairness of things. It’s all over the music, set in its history. The late Seventies and early Eighties pushed that aside and took command. Whining was suddenly for wimps, and the Eighties weren’t going to be wimps. They’d stand up and take care of things that went wrong and move on.

I’m also not a political science expert, but I can tell you I sure appreciate the Eighties attitude of “can do” that we had naturally. We didn’t have to be told we could, or persuaded to maybe think we could. We could. And we did. Sure, times change. Things are hard. But then, things are always hard. That will never change. It’s our attitude about it that makes the difference.

Me, I’m a harden my heart and move along kind of gal. That’s the kind of music I listen to by choice, also. Yes, I’m an Eighties girl. I graduated high school in 1984 listening to Quarterflash and Huey Lewis and the News (It’s Alright) and Sawyer Brown (Shakin’) and Joan Jett (I Love Rock and Roll) and Michael Jackson. 

I keep wanting to ask the guy asking where God was when things were tough, “What were you doing about it?” 
-

Nickelback Freakin' ROCKS!

18 July 2009
Post-Gazette Pavilion
Pittsburgh, PA
(actually Burgettstown, PA)

Nickelback
with Saving Abel, Papa Roach, and Hinder

Never mind this is a writer's blog and "freakin" isn't exactly "writer's vocabulary" material, and never mind that Chad Kroeger mentioned if you're going to do a job do it right, which means I should use the more powerful word: I keep this blog PG-13, so freakin' will have to do.

I went to see freakin' NICKELBACK last night at the Post-Gazette Pavilion. After wanting to go for years and watching the chances they got close enough pass by because the timing was not right, finally it was. All four of us went: me and hubby and the kids (only one is still a minor, barely). I won't mention what we paid for 4 tickets in the second tier of seats that were under the pavilion shelter and just behind the roadies taking care of the soundboard, plus the mandatory T-shirts, enough food not to starve, and drinks. Yikes. But we've waited a long time to be able to go and I wanted to actually SEE them in person not only on the monitor from the lawn.

This was also my first time at the Pavilion so I wasn't sure what to expect. I love outdoor concerts. I didn't like that rain was threatening all day and did start up while ordering food. Luckily (especially lucky for those on the lawn), it held off and it was, as Chad said, a beautiful night for a Rock & Roll Concert!

The huge gravel parking area, even as early as we arrived, was packed full of tailgaters bbq'ing and chatting and playing bean bag toss games as we rolled by waiting for our chance to park. We ended up close to the south gate and waited in line until the gate opened at 5. Never mind the "illegal" smell while we waited, most fans were fairly reserved and we listened to the cacaphony of music coming from car speakers, much of it of course was Nickelback. At one point, we couldn't distinguish what any of it was since there was so much of it from all directions.

Inside the gate looks like a mini town with merchandise vendors as well as food and drink vendors. It's a nice atmosphere and I appreciated the sign saying there is lawn space set aside for families with no alcohol or smoking allowed.

Finding our seats, we were happy with how well we could see the stage, considering we bought the tickets only a week ago! Of course, it  was still daylight, so the first three bands were quite easy to see. I have to say I didn't know much about either Saving Abel or Papa Roach before last night except my kids like them and truly enjoyed  seeing them. I couldn't understand anything they were singing since the bass was pretty overwhelming. No matter. The kids knew the words. And so did much of the audience, apparently, since lots were singing along. I do know a couple of Hinder songs and enjoyed seeing them performed, although again the sound balance gave us more bass than anything.







I felt a bit like an old stick-in-the-mud sitting there just sitting and taking a few photos but not really getting into the whole thing. Those around me were dancing and singing and having a great time and I was watching the roadies change sets in between and the guys at the soundboard in front of me and the crowd and the security and the event staff (research! a writer's gotta observe the details!). And standing up or twisting my knees sideways 50 times to let people walk back and forth out to and from the aisle. I know, when you go to a concert you should really just hang out and enjoy and relax ... but a writer who writes about music can't help the work aspect of it, also. *shrug*  If I had the nerve, I would have liked to go talk to the sound guys to ask them about their job. I don't have. Except maybe I will do that online. Stay tuned.

The stick disappeared when the band I went to see made its appearance. Along with the rest of the crowd, I was on my feet in full party mode (with soda instead of the tons of beer being consumed around me) cheering and yelling and singing along from the moment Nickelback took the stage. And they took the stage with a literal bang!  The light and sound effects were incredible -- major kudos to their techs.

Chad Kroeger was very funny, very likeable and flirty, very involved with the fans. They started with "Something in your Mouth" from the Dark Horse CD and kept rolling through songs and chatting in between. I was a bit surprised there were only a few Dark Horse songs in the show, but loved getting the All the Right Reason songs, and bringing the leads from Hinder and Papa Roach out to join them for AC/DC's Highway to Hell was a lot of fun. There was even a touch of country thrown in!

Daniel Adair's drum solo was glorious! But you have to hear it in person to truly understand how glorious it was. And if you're a drummer or ex-drummer, you can't help being transfixed.

Never mind too much camera focus on too-showy girls, since you have to expect that with Nickelback and most rock bands these days, I guess. It was an incredible show and by the third song, I was already thinking, "I've GOT to come see them again!"

I would like to make a public statement, here, though. When the staff tells you there is no smoking within the pavilion, would you listen, please? My husband asked several guys to put out their cigarettes because they were just in front of us and chain smoking and my allergies kicked in making me cough up a storm. Seriously, be a tiny bit considerate in public!  That goes for getting bombed or stoned out of your mind, as well. It's not fun for those around you when you do. Kudos to the event staff for kicking out the kids in front of us (yes, some of the smokers, two of whom got aggressive when hubby asked them not to smoke -- silly little boys considering who they were dealing with) who were falling all over the seats and climbing on them and pulling up the braless girl's shirt who was so out of it she won't remember the concert at all (with my 16 yr old right behind her). We paid to be there, for decent seats, and we had the right for those around us to be mannerly just as we were. Behave like humans or stay home. Maybe it was "Rock and Roll" but a lot of us were there for the music, not the debauchery. 

All in all, we left fully happy with a wonderful night of wonderful music and fun, and after sitting in the parking lot for half and hour waiting until it even made sense to start the car and creep along out to the road, we went in search of a nearby hotel. We planned (last-minute) to stay the night since it was 70 miles from home and late, and then go in and run around Pittsburgh today while we were there anyway. Didn't happen. There were either 22,000 people at the concert (according to Hinder) or 19,000 (according to Nickelback) and it was sold out. That's a lot of people descending on Pittsburgh. There wasn't a hotel to be found in the area except a smoking room with only one bed 12 miles out. Instead, we grabbed food and a lovely cafe mocha from a very slow Eat & Park and headed back home at 2 am.

Wow, am I getting too old for that! I'm wiped out today. I don't know how the bands and roadies do it.



If anyone is still reading this wordy review, I think you can click on the photos to see them larger. But please, they are copyrighted, so if you want your friends to see them also, send them here!

If you get the chance, GO see Nickelback live! Tell them I sent you. And then watch them look at each other and say, "Who?"  ;-)