Friday, July 10, 2009

Author Interview: David McClain

 Tor's Book Cover

       An Interview with David McClain

  
Find David's blog at

                Writing.com

    Find Keeper of the Word at

                Lulu.com
 
 
 
 


Keeper of the Word
is David McClain’s debut book of short stories, independently published in 2008, and one of the best indie books I’ve had the privilege to read. His stories speak of who he is: spirited, spunky, earthy, and truly original. His writing blog is highly popular and his followers become quickly loyal. It’s easy to see why once you dig into the stories he’s collected in his first book.

I’m honored to be counted among David’s friends and am happy to offer this interview that, as far as I know, is his first.

So, Hello David! Thanks for taking the time to answer a few questions!

DM: Hi Loraine, and thanks for giving me this opportunity. You are correct, this is the first time getting interviewed for me and I don't mind telling you, I am just a bit nervous. If I stick my foot in my mouth just edit the heck out of me! So go ahead and fire the questions at me lady....I will try my best to make some sense of my answers.

LK: Ah, no need to be nervous. We're all friendly here. ;-)  First off, let me post the cover blurb for Keeper of the Word here. I generally review a book before asking the author for an interview and allow him or her to respond, but this time, I’m using the blurb and asking if you have comments about it:


"Reminiscent of cowboy storytelling around the campfire, Keeper of the Word is an eclectic mix of short stories with a wide range of genres. In his first published collection, David McClain uses a charming conversational style that keeps us pulled in to every word, waiting for what we soon learn will come at the end of each story: the “a ha” moment, humorous or thoughtful or eyebrow-raising. Running the gamut from romance to fantasy, from thriller to mainstream, each story has a constant theme – a pondering of life and love well-blended to touch the reader’s hearts."


DM: Well every time I read that blurb, the first thing that goes through my mind is: “They can't be talking about me can they?” Maybe it is because the blurb appears on the first book I ever published, but it always just seems unreal when I see my name in print....on a book....that strangers will buy and read. I always think there must be another David McClain out there doing this stuff.


LK:  I know what you mean!  David, you consider yourself a Storyteller, as it states in your introduction. What do you think is the biggest difference between a “writer” and a “storyteller”?


DM: This is just my opinion, but to me a writer is someone who is in love with their words. They want to create a word masterpiece that will be admired like the Mona Lisa hanging in the Louvre. Now don't get me wrong, that's not a bad thing....it just isn't me. As a storyteller, I am not so much in love with the words as I am concerned with connecting with the reader. When I write a short story or a novel I tell the tale as if I were telling it to a friend sitting on my front porch, sharing a cold drink on a hot day.


I know you have seen writers out there, some very famous, who use three paragraphs to describe a tree to the readers. Wordy. They use a ton of words to describe the tree. Sometimes this detracts from the story they are trying to tell. As a storyteller, I want you to SEE the tree but not get too caught up in admiring the tree and forget the world of the story I am trying to draw you into. A storyteller wants you, the reader, to be able to slip comfortably into their make believe world and become immersed in the story.


LK:  Excellent point. There is a line between showing and showing too much. And as I've read your stories, I know they have a very comfortable feel, as though you're reading it to me. Now, what shall we drink?  ;-)

From reading your blog, I know you use bits and pieces of your own life to create stories, such as your growing up years, your current job, and your military background. Do you ever pause and wonder if you’re revealing too much? Do you find it hard at times to write so personally?


DM: Someone once said that writing a book was easy, all you had to do was sit at a typewriter and open a vein. I believe that, and part of “opening a vein” is to pour a large portion of yourself into some of your characters. I have never wondered if I was revealing too much but only that I was being honest with the feelings. For that reason, in some of my stories I have drawn from my own feelings and experiences to flesh out a bad guy in the story. I have always believed that every person has both good and evil within them and both can be used to create characters.


LK:  I'm sure that's true, although some of us would have a hard time admitting our villains come from within! If we're honest, where else would they truly come from? I love the "open a vein" line.


Your stories and style remind me quite a bit of Frank Delaney’s Ireland where a storyteller is traveling around the country sharing passed-along stories of Ireland. Both books include touches of humor along with some kind of explanation or moral or come-uppance at the end of each story. It’s a rare style among today’s books. Why do you think that is?


DM:  Well first of all I have not read Mr. Delaney's work but it sounds good. I was affected at an early age by the works of a man who in my opinion was the greatest storyteller of all time: O'Henry. I have the complete works of O'Henry on my shelves today and from time to time I will pick up one of the books and read some of his great short stories again. From "The Ransom of Red Chief" to "The Gift of the Magi," all his stories had some sort of moral or twist at the end which would mete out cosmic justice to those who needed it.


Why do we not see more of it in this day and age? Maybe it is because in today's society nobody is to blame for anything. People are no longer interested in taking responsibility for anything they do so they really aren't interested in seeing a character pay for whatever they did wrong in a story.


LK:  Good point. So do you have a favorite story in “Keepers of the Word”?


DM:  Oh Loraine, that's a tough one. Do you have a favorite child....one you love more than the others? That is the way I feel about my short stories. But, if you insist on making me make a choice....it's a tie. There are two stories that are my favorites of that collection.


1. Mulligan--- As you know, Mulligan is a golf term meaning a “Do-over.” If a golfer hits a bad shot and lands in the rough, he can take a “Mulligan” and take the shot over. In this story all the stars align just right and one dark, snowy night, a man actually gets the opportunity to use a “Mulligan” to make things right in his life.


2. The Last Battle of Arwin Hawken--- This story showcases the fact that a man is never too old to stand up for Justice and take a stand for Honor and the woman he loves.


LK:  What genre(s) of books do you normally read and why did you choose to include a variety of genres within this collection?


DM:  This one is simple. I chose a variety of genres because I READ a variety of genres. I guess it also helps that I never know what genre one of my stories will fit into until I finish it. The story always has a life of its own and I am sometimes surprised at how one turns out.


LK:  Just for fun, if you could choose three songs to take with you to a year-long writing retreat and be limited to only those songs, what would they be and why?


DM:  Dang girl, that is another tough one...just three? Well okay, I will give it a try.


1. Music of the Night---From the musical Phantom of the Opera. You sure I can't take this whole CD? This music always helps to sooth my mind and allows the words to flow.


2. The Breaking of the Fellowship---Instrumental done by a Celtic group and from the movie Lord of the Rings.


3. And finally, Like Two Sparrows in a Hurricane by Tanya Tucker. I love bthis song because it reminds me of my wife and how much I love her.


LK:  Oh! Music of the Night is one of my all-time faves, also! Very inspirational!  I love all your choices, actually.  :-)

I have to ask this one: What is your favorite part of writing?


DM: I call it “The Birthing,” that magic moment when the first seed of the story starts to take root in my head. It grows and grows until I am literally forced to sit down at the computer and transfer the words from my head to the screen. I never know, when I start writing a story, how that story will end. Heck, many times a character will die in the story and I am shocked. I had not intended them to die....the story had its own path....I am just there to put it down in words.


LK:  Great description of it!  That is an incredible feeling. Of course we want to know what you’re working on now. How’s it coming?


DM:  I am currently putting the finishing touches on a novel: The Time of the Troubles, that I first wrote back in 1992. After it was finished, I promptly put it in a box under my bed and forgot the thing. I have about four more chapters to edit and then I have to add two or three chapters at the end because I just didn't like the way the original ended. When I wrote this novel I set it in the early 21st century and it deals with an Islamic terrorist attack upon America which ends up causing a breakdown in law and order in the country. Looking back now, this premise seems almost prophetic. I plan on publishing that work within the next four or five months.


As soon as I have that project ready to go, I am going to start a sequel to it. I had not planned on doing a sequel, but after I let my oldest son read the novel, he insisted it was needed.


I am also working on a second book of short stories. I plan on using a number of new stories and a group of stories that I didn't have room for in the first book.


LK: Prophetic indeed. Strange when that happens, isn't it? I look forward to its publication and hope it has a good ending. ;-) 

One more quick question: if you could choose one book title to describe your life (title, not contents) what would it be?


DM: Dreams Come True, If You Live Long Enough!


LK:  David, thanks again for taking the time to talk with us. Is there anything you would like to add?


DM:  I would just like to say “Thank You” again for this opportunity to talk about what I love...writing. I would also like to say to all of your readers: If you are a writer, I don't care what kind of writer you are, or what you like to write, please never lose sight of the prize. No matter how hard it is, no matter what kind of roadblocks you have to overcome, all the effort, all the work is worth it in the end. The first time you hold a book in your hands with YOUR name on it you will know a rush, and a high that nothing else in the world can give you. Whatever money you make is just icing on the cake.


Stay true to that little voice in your head that whispers the story to you and keep pounding those keys...it is well worth it in the end.


Thank you.
--

Wednesday, July 01, 2009

Public Enemies

When a new Johnny movie premieres, I tend to be there opening day. So, we went to see Public Enemies this afternoon, although our local theater wasn't bothering to play it. Yes, I drove the 30 miles on opening day to check out Mr. Depp's newest work.


It was well worth it.


I won't go on about what a great job he did because anyone who has followed him knows he does, and he did. Incredible as usual. But there are many other reasons to see this film.


It's history. John Dillinger was considered a hero by much of the public in the 1930s. It was in the midst of the depression when everyone was angry about how the banks handled things so badly and people lost so much (sound familiar?). Dillinger grabbed lots of it, but never took it from individuals inside the bank, telling them he didn't want their money, only the bank's. Of course there's a bit of logic missing there since people fund the bank money, but only to an extent. They're making bunches off our money and they did then, and when they mismanage it's of course not only their money they lose. So in a time of no sympathy with or high opinion of bankers, Dillinger struck gold with public opinion.


It's societal. I don't want to say too much and spoil anything but there are points made that we need to consider as a society. Dillinger was considered Public Enemy Number One. But what of the Chicago cops taking bribes from gangsters to leave them alone? What of the police brutality? What about being overly punished for minor offenses? Those things build the criminal element, as they helped to build Dillinger's power and public sympathy for him. And they still happen.


It does not glamorize criminal life. It shows straight out the costs, very high costs, of taking that route, with no actual gain. A good lesson there.

It's artistic. This film was very well made. It's not overly gory for being a gangster film. It has beautiful effects that add to the imagery without being over the top. It truly is art, which I don't find a lot of on the big screen anymore.


It's well worth watching. It's even worth supporting, something I also don't find much in Hollywood these days.


The next one I look forward to is The Ugly Truth. That should be a riot!
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Sunday, June 28, 2009

I Read Romance. Why?

1255-cp-lkh

This is a blog-hogger challenge from Judah Raine:
 
http://judahraine.com/romancewriteup/

 

Romance fiction has to be the most underrated genre, especially as it has the highest sales constantly. Why? Misunderstandings and misinformation, both accidental and intentional.


If you've followed the book market at all, you'll know that sales are down, that publishers are struggling, that most fiction writers barely make money on their books if they make anything. That's all true. However, like movie theater attendance, romance fiction sales have risen in recent times. Why? People are looking for uplifting escapism.


I have an admission. I haven't read a whole lot of genre romance. I didn't read it much as a teen and I haven't much during my adult years. Why? Perception. I see those steamy covers showing a male's full bare chest or a female's buxom-centered image or a couple locked in a sensual embrace and I figure I'm getting a bunch of steam and descriptive detail I don't want and so walk farther down to a different aisle. I understand why publishers create those covers. They do tend to sell books. Understood. Who can fight against the almighty dollar (or pound or peso or lira, etc)? However, they also lose readers that way. They lose those of us who love actual romance but who don't love minute description of sex scenes. Romance and sex are not the same and do not have to be put in the same bin! Yes, I say that a lot. I'll keep saying it. Why? Because I write romantic fiction and I enjoy reading romantic fiction, but I do not write or read porn (aka erotica). If you do, that's all well and fine. I don't. Many others don't, either, both readers and writers.


Real romance is beautiful. It's elegant. It's psychological. It's physical. It's necessary. And it's everywhere.


The flowers and box of chocolate in the photo above are not fictional. My husband gave them to me for Valentine's Day a few years ago. I see eye-rolling as I type this. Valentine's Day is nothing but commercial. Everyone says so now. I say it's not. I say it depends how you treat it. I say celebrating love is important. It's not corny. It's not childish. It's not selling out. It's real. And it's needed. And we can't be happy without it.


So yes, I do read romance. I've read more romance in the last couple of years since meeting so many romance writers who believe the way I do that romance is romance and sex should be tasteful and optional. There are tons of us out there who believe this whole-heartedly, which by the way is the only correct way to love -- whole-heartedly. And yes, I write romance. I write about the beauty of it, the pain of it, the longing and confusion and elation of it. I write struggles and fear and misconceptions. I write the "why" of it. I write down to the depths of it. In the end, though, the only real answer I ever find truly is love.


Love may not be all we need (with my apologies to the Beatles), but it does need to be involved in everything else we need.


If you don't want to carry books with "those" kinds of covers, get them in Ebook format and carry them on some kind of reader others won't see. Or order them from your local independent bookstore and read those at home. Or pick up one of those book sox kids use for school books. We can't make publishers stop printing them that way, at least not all publishers. Authors often don't have a choice with their covers. But some really good stuff lies within. The saying is true: you can't always judge a book by its cover. Really. Look deeper.



You can find more writers who agree by checking the Classic Romance Revival page linked to the right.


Any other writer or reader interested in taking up the topic and running with it? Sign your name here and leave your link to where you post it: http://judahraine.com/romancewriteup/?page_id=635
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Wednesday, June 24, 2009

Write What You Know - but what does that mean??

 

Illinois sunset over a school play yard -LK HunsakerIn the process of research today, I was trying to find a specific type of establishment in NYC that would work for my story. Now, I've been to NYC briefly and plan to go back, but I don't have the option to run spend several days there just for story research. It would be nice, but let's face reality: when you have kids at home and a job and such and you aren't the owner of Trump Tower with a private jet, there are restrictions on doing such things.


Internet research wasn't working well. I had the look in my head for the place I needed but try putting that in a search engine. It didn't work well. Finally, I went to Yahoo Answers and asked people who would know: NYC residents. I answer lots of questions there about books and writing and sometimes other subjects, so I figured getting a touch of return help would be nice.


The first answer I received started by saying:  "The first rule of writing ... write what you know."


Hm. Yes, that's helpful. Thanks so much. He did also mention a name of a place that might work but I was rather annoyed at the inference that I didn't know what I was doing that I didn't bother to check the place. [Luckily, the second answer was exactly what I was looking for! He'll get 10 points for being not rude and very helpful.]


Write what you know. So he meant I shouldn't put my character in New York City since I don't know it well? Or that I should use only the places in the city I do personally know? I am using one, a small music venue I enjoyed, if it matters. I know the feel of the city enough for the story. I know enough that it needs to be mainly set in Manhattan instead of another borough. My main character is heavily into the music industry. Let's see, if I can only write about the places I've been long enough to write with any real detail about them, the story would have to be set in Illinois, Texas, Massachusetts, Idaho, Georgia, Virginia, Pennsylvania, or Germany. None of those work real well for this character. Actually, none of them work at all. Yes, I set Rehearsal in MA but it worked for them. Or does that mean I can't write about a character in the music industry since I've never lived in any of the three big music industry spots in the US? Not to mention I've never been involved in the music industry itself. That's what research is for!


I'd like to tell this "top contributor" that writing what you know does not mean using only settings you know first hand. How limited would that make the literary world? What about historical fiction? Should no one write about time periods they didn't live in? How sad would it be to lose all those magnificent stories of the past?


Writing what you know is much deeper than that. It's writing the truths you've learned, the things you've seen, the thoughts you've had, and feelings you've felt. It's putting yourself IN your work and adding all those luscious true-to-life things that make books "real" instead of simply described. It doesn't mean write about your life as a memoir, which is okay also, but limiting. It means to take those things and turn them into fiction that echoes real life, that shares yourself and your experiences.


I write what I know. I have always studied people and families and relationships to watch what makes them work or not work. I make note of societal issues that stand out in my mind because maybe I have some valuable thoughts or ideas to share about them. I think things through. I know things. I see things happen and the effects of those happenings. I write about them. It's fiction, of course. I use them differently than they were in real life but the same -- the same concepts, the same issues, the same relationships. Or different relationships based on how things might have worked "if" only....


THAT is writing what you know. Is my story invalidated because I don't know which NYC restaurant has the look and location I need for a certain scene? I don't think so. The story is about love, loss, despair, hanging on, and letting go -- all things I do know first hand. If I was doing a documentary about NYC, then I would see his point. Otherwise, it's way off base. So is anyone else who tells a writer not to do a story in a place she's never been. That would throw out all sci fi and fantasy also, wouldn't it?


Write what you know INSIDE. Write what you FEEL. Write what matters to you, what you care about. Use details from your everyday life such as the moist breeze blowing against your cheek while standing on a beach, or the pounding, clacking noise of a nearby train station, or the way you feel when someone takes your hand and says it's going to be all right. Use that. Use your own reality. And put it anywhere in the world your character needs to be. The rest can be researched.

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Saturday, June 20, 2009

Bunnies and Brides and Books, Oh My!

Bunny and Fairy House-LK Hunsaker

Today is my first in roughly three weeks that I've been able to simply stay home and go about my normal day, whatever that is.


My "little" sister got married a couple of weekends ago and we made the trek to Illinois to be there and be part of it. Why do bunnies and pink go together so well? Never mind that thought. I was thinking of the bright sunset pink dress I wore as one of the matrons of honor -- a beautiful shade, pretty dress, but I don't tend to wear pink unless it's a dusty rose. Anyway, I had a lot of fun watching all the rabbits in Mom's yard enjoying her flower garden complete with fairy house. It's adorable. I can see why they enjoy it, never mind that their main purpose of enjoying it has to be the seed scattered by the birds from the feeder above. I was glad to capture this little guy peeking up over the wall. He looks like Peter Rabbit eyeing Mr. McGregor's garden, doesn't he?


I ended up giving the toast from the bride's party and there was so much I would like to have said but being that the moment I start speaking in public, my brain shuts down and I can barely get a few words out, I managed only a couple of sentences. I think I'll do what I do best and write down a better toast to send along to them with some of the best photos I took of the wedding, including the Rehearsal dinner, the pre-wedding women's getting ready shots, and the reception. Yes, she was the fairy tale June Bride, all in whiteWedding Cake-photo by LK Hunsaker and glowing, and their expressions while looking at each other made it easy to see why some of us write romance. It's beautiful to see a couple deal with so much separately and then together and finally look so joyful about bonding their lives in front of God and witnesses. I can't understand why some look down at romantic movies and romantic books when really, that's what we all want -- that love and bonding that is truly the center of our worlds. We can choose to try to deny that, but we all know inside it's exactly what we want, the thing that fills out our lives. Some of us choose instead to embrace it wholeheartedly. I have to believe we're the happier group.


Romance writers: don't ever apologize for writing romance. It's the best selling genre for a reason. Be proud of that. Readers: please remember there IS a difference between romance and erotica and we're not all both, and before readers of other genres look down your noses at us, maybe remember how important fairy tale romance was to us as children and how important love and bonding is to all of us as adults. We believe in that. 

~~
For those who enjoy sweet, short romantic stories, I have one featured at LASR this week:

http://www.longandshortreviews.com/LASR/story.htm

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Thursday, June 04, 2009

Setting: The Watery Breath of a Story

Forth Bridges, Edinburgh-LK Hunsaker

 

"Water is the driving force of all nature."
Leonardo da Vinci

 

As water is the underlying basis for everything that lives, so setting is to every story that breathes.

 

Everything has to happen somewhere.

 

How do authors choose where their stories will happen? ~shrug~ I can't speak for others, as we all have our different reasons for sticking our characters wherever we stick them. Generally, it's love: the love of history or love of a certain place we visited or love of the unknown. With me, it tends to be a mix of all three.

 

By now, I've lived in six states and two countries and have traveled* a lot in between. [side note below] I've also taken an incredible cultural psychology class that further emphasized how we are affected by where we live. In the words of Anais Nin, "We don't see things as they are, we see things as we are." Setting is not only a place; it's character. It's part of who our characters are and novelists who ignore that are missing a huge chance to fill in the depths of the story.

 

Aphrodite, the ancient Greek goddess of love, was born of the sea.
from
pureinsideout.com

 

In my first-to-publish novel, Finishing Touches, Jenna is a small town Midwest girl raised nearly on the banks of the Illinois River. The river and trees surrounding it play a large part of her story, the trees being symbolic of her inner strength and deep roots and the river of her unbound soul that flows along where life takes her. There's also the little bridge mentioned that she crosses over, pausing to look down into the shallow creek. A bridge is a metaphor for crossing a boundary, for change, or for pulling the two different parts of her life together. In Illinois River-LK Hunsakeraddition to the structural "place" of the story, being from the Midwest helps make Jenna who she is. As each country has its unique qualities that help define its people, so do different sections of countries. As a small town girl raised in the Midwest myself, I fully understand Jenna and have a special love for the people who tend to be very earthy and natural, and rather conservative in actions and speech. Although the story is not autobiographical, other than the searching issue, the setting is. My first novel has the most involved setting; it's the most interwoven with the main character.

 

When I first started writing the Rehearsal series in notes and scattered scenes and character development, I was still in that small Illinois town, but my thoughts were always wandering elsewhere. I wanted to go out and see new things, explore new places. I couldn't do it often at that time, but my characters did. As a result, they are more worldly than Jenna, all transplanted from the beginning of the story which makes the setting less woven into their characters. Two are from Pennsylvania, three from New Hampshire, one from the UK. The story is set in Massachusetts, roughly thirty miles from Boston. However, it takes them out of their adopted town often, into other places, a metaphor for my own wanderlust.

Each of us "belongs" in a certain place. It may not be where we were raised. There may be some other place that calls out to us and helps us feel more settled once we're there. For me, that place was temporarily the Northeast and permanently the Mid-Atlantic. We lived in Massachusetts for some time and I adored the area, was sad to have to leave. At the same time, when we passed through Pennsylvania to go back to visit family in Illinois, it called to me, as it had during family vacations when I was young. And so, my two main characters from Rehearsal, Evan and Susie, had to be from Pennsylvania. I set them in the eastern part of the state so it Greenville, PA -LK Hunsaker would work better with the story, but put Evan's alma mater on the western edge. When putting him there, I never in the world expected to end up living so close to it.

 

My New Hampshire characters are supporting cast. I wanted them transplanted instead of being Massachusetts locals in order to give them that extra edge. Their personalities aren't MA personalities. It wouldn't have worked. I have yet to visit New Hampshire, so if anyone from the state wants to comment on whether they fit, I'd love to hear it! Of course, you'd have to read the book to find out. ;-)

 

"It is a curious sensation: the sort of pain that goes mercifully beyond our powers of feeling. When your heart is broken, your boats are burned: nothing matters any more. It is the end of happiness and the beginning of peace."
George Bernard Shaw

 

My next-to-come book, Off The Moon (fall 2009), has two main settings: New York City and Bennington, Vermont. The main character is heavily in the music industry and so it worked well to have him in the midst of one of the music centers of the nation. His family is in Vermont, which worked in different ways: it's a short enough drive from NYC so he's able to run back and forth easily, it's another place I've yet to visit (love of the unknown), and it has a wonderful lake setting that's important to the story since he adores boats and owns a pontoon he uses to escape his busy city life. With any luck, I'll be visiting the area before putting the final touches on the book. However, he grew up a military brat, so for him, place is very fluid and the lack of deep roots shows through his personality and his actions.

 

If you haven't figured it out yet, water plays a big role in all of my stories. I'm drawn to lakes, rivers, oceans, and even small trickling streams. I love to swim. I love to watch and photograph waterfalls. I love to be on boats of any kind. I think it's unlikely I'll write a book without this feature, as it's too embedded into who I am.

 

"My books are like water; those of the great geniuses are wine.
(Fortunately) everybody drinks water."

Mark Twain

 

I'm currently in process of adding photos of some of the settings in my books to albums on my website. So far, I have the Finishing Touches album done and most of those photos were taken by family members. More setting albums will come soon.

 

***  This entry is part of Classic Romance Revival's Blog Carnival. Go to CRR to find more authors writing on the subject of setting!   www.ClassicRomanceRevival.com/blog ***


“The Truth is you are a part and parcel of the great being. You are one of the cells of the Great Being, you can call it. And once a drop falls into a ocean, it becomes an ocean. And once you become the ocean, you see the whole world in a different way, and understand the whole world as a beautiful place of enjoyment.”

Carl Gustav Jung


Eagles Nest at Shenango Lake, PA -LK Hunsaker

[side note: For those who have read the Rehearsal books, yes, I spell traveled as "travelled" in the series intentionally. There are two reasons for this: back when I was in grade school studying spelling lessons, many of the consonants were still doubled as they tend to be in British English, including travelled. I well remember when that started to change and balked at the idea. I don't always do change well. And I like the way the world looks better with two "L"s instead of one. As this series started to come to life way back during my school days in the 70s, I left it "travelled" as it was still spelled then. Also, much of the series is set in the 70s and so it's appropriate to use the spelling of the time. There's also the third main character who is from the UK and so would also spell it in that manner. Other than in the series, I sigh and conform and drop the extra letter.]

 

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Sunday, May 31, 2009

I have an idea, but...

You know how often wanna be writers use this line?

-- I have an idea, but I'm not sure if it's already been done.

-- I have an idea, but I'm not sure what will be selling when I finish it.

-- I have an idea that I want opinions about, but I don't want someone to steal it.

-- I have a great idea, but I need help with the plot.

 

This may sound insensitive, but if you're a writer, you write. Whether it's "been done" or whether the market shifts or whether you know the full plot when you start. If you want to write, then write it. If you're iffy about whether it's worth your time, it probably isn't.

 

No one is going to steal "your" idea. There isn't an idea out there that hasn't been done in some way already. It doesn't matter. What matters is how YOU do it. No one can tell your story like you can. So tell it. Or don't. But don't blame "but" and don't let it hold you back. If it holds you back, you may enjoy writing now and then but you're not "a writer" who will get anywhere.

 

Agents and publishers want books, not ideas. Readers want full stories. They want to read stories from authors who have been writing long enough and seriously enough to be good at their craft. They want emotion and depth and heart. If you have this and can put it into your stories and are willing to sit down for the hours after hours after hours writing and rewriting and rewriting more and cutting out your precious words that don't work well enough and filling in what hasn't been shown well enough and rewriting again and editing, editing, editing, and if you're willing to get critiques from those who won't pander to your ego ... and then go back and fix it ...

 

Then take your idea and CHARGE full steam ahead with it!

 

Someone recently asked me if the being unsure and rewriting ever stops. Being unsure never stops. Or it shouldn't. Rewriting eventually stops with each book after it's where it needs to be, but it starts fresh with each book that will need to be rewritten, also. They all will. The more you write, the less you'll need to rewrite because you learn more each time. A first draft, though, will always be only that.

 

I was noveling seriously for ten years before I put my first book out. That ten years included a novel writing class, studying the technique elsewhere, lots of reading (as I'd always done and if you don't, don't think you can write well), and TONS of rewriting. It's part of the job.

 

I have an idea ... actually I have lots of ideas, with seven novels in progress at the moment in different stages. Do I care what the market does or what anyone else is writing? Nope. I'm writing all of them because I need to write them. Hopefully, someone will want to bother reading them. Either way, they're going out there. No ifs, ands, or buts.

Wednesday, May 27, 2009

When You Know It's Right

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All writers know that moment: when you put down words that flow from somewhere within and it's simply perfect. It doesn't come often, but it does come.

I said a couple of days ago I had the 2nd draft of Off The Moon done. It was. Except it apparently wasn't. The end bothered me. It wasn't "just right" but I figured it would come during edits.

It came last night instead. NOW it feels finished. It feels like a real end mixed with a new beginning and it's satisfying. It feels right. And it's amazing how much more refreshed I feel today.

On the BookSpa list the other day (linked to the right), we were discussing whether a writer is who you are or only what you do. There were good points on both sides, but I said it's who I am, that I'm not me if I'm not writing enough. Then I wondered if I was being pretentious. Last night reminded me why I say it's who I am. When you wake up refreshed in the morning instead of feeling a nagging weight and the only thing that changed is finding the "right" ending (or other part) of your story, a writer is who you are. It's part of you.

This book in itself feels "right" as well. Something inside says this is the one to focus on, the one that will make me more established as a writer to be acknowledged. I know that sounds pretentious and I humbly apologize but the saying that goes "if you don't believe in yourself, no one else will believe in you" is completely correct. I believe I'm a writer to be acknowledged. I'm glad to finally be able to say so instead of shying away from saying I'm a writer. And this time, I'm going about the publishing process in a more productive way, a way that will help that more than I have so far.

One thing I'll be doing is ordering ARCs (advanced reading copies). As an indie, I'll have to pay for them myself but I believe it will be worth the cost. I want it reviewed, hopefully by the Library Review Journal among other places. I want names in the business providing cover quotes. I may even go after quotes from big names such as Marilynne Robinson, my unwitting mentor, and Roberta Isleib with whom I've established somewhat of a working relationship.

I can't put in the thousands of dollars for promo as some self-publishers (such as The Shack author) do in order to get big sales, but there are less expensive ways to do things that are still done right and I'm all for finding them.

Keep an eye out for Off The Moon. I believe you'll want to find this one.
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Monday, May 25, 2009

Memorial Day

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Saturday, May 16, 2009

Free Stories!

FREE READ TO EVERY SUBSCRIBER!

ClassicRomanceRevivalClassic Romance Revival is celebrating spring fever with a whole bunch of free reads!  For your  short story, simply subscribe to our blog during the month of May, and we'll email your free read to you.  No questions, no time-consuming entries, no waiting....


Just click on the link below, look in the right hand sidebar for "Subscribe2" link and you're done!


http://www.classicromancerevival.com/blog/


See you on the blog!


If you'd like more information on the group and what we have to offer, email us at:
admin@classicromancerevival.com


The Revival has just begun!


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As a member and moderator of CRR, I have a couple of stories included in this. After you subscribe to the blog, if you email info@lkhunsaker.com and tell me the title of the story you received, I'll add to it by sending the beginning of my current WIP so you can see what I have in the works. [note: it is rated 18+ so I'll substitute if you prefer]


All CRR romances are non-erotic with different heat levels. You can find the ratings on our blog in the "About Us" section.
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